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Dangerous Crossroads

Popular Music, Postmodernism, and the Poetics of Place

Datos Bibliográficos

ID10041528
AutoresBryan D Palmer (Queen's University, autor de correspondencia), George Lipsitz
Año1999
Volumen85
Número4
Páginas1668
Fecha de publicación1999-03-01
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaJournal of American History (JOURNAL)
Identificadores de la revistaISSN: 0021-8723 • E-ISSN: 1945-2314
EditorialOxford University Press (OUP) (PUBLISHER)
DOI10.2307/2568400
OpenAlexW2318386462
IdiomaEN
Citas recibidas43

Journal Article Dangerous Crossroads: Popular Music, Postmodernism, and the Poetics of Place. By George Lipsitz. (New York: Verso, 1994. viii, 192 pp. Paper, $17.00, ISBN 1-85984-054-X.) Get access Bryan D. Palmer Bryan D. Palmer Queen's University, Kingston, Canada Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 85, Issue 4, March 1999, Pages 1668–1669, https://doi.org/10.2307/2568400 Published: 01 March 1999

Aesthetics · Art · Literature · Poetics · Poetry · Popular music · Postmodernism · History · Latin American and Latino Studies · Poetry Analysis and Criticism

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  • Music 120

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  • Imagining an Interdisciplinary Canon

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  • Cooking up the Senses

    Martin F Manalansan•Alien Encounters•2007

  • Rapping and Repping Asian

    Open Access•Oliver Wang•Alien Encounters•2007

  • Chapter 11 Modes of Theorizing in Iranian Khorasan

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  • What We Talk about When We Talk about Live Smooth Jazz

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  • Post-soul futurama

    Sean Albiez•European Journal of American…•2005

  • Reading Buffy and “Looking Proper”

    Open Access•Oneka Labennett•Globalization and Race•2006

  • Missionary Positions

    Open Access•L D Baker•Globalization and Race•2006

  • Epilogue

    Open Access•Hannah Arendt•Anthropological Futures•2009

  • Conclusion and Way Ahead

    Open Access•Ulrich Beck•Anthropological Futures•2009

  • The Cambridge History of African American Literature

    Open Access•Jerry W Ward, F Irele et al.•The Cambridge History of African…•2011

  • Brownface

    Open Access•Juliet McMains•Dance Research Journal•2001

  • Cultural Struggles for Hegemony

    Open Access•Angel G Quintero-Rivera, Angel Quintero-Rivera•Latin American Perspectives•2011

  • Beyond the Screams

    Open Access•P Zavella•Latin American Perspectives•2012

  • Popular music and expressions of national identity

    Open Access•Colin Mcleay•New Zealand Journal of Geography•2008

  • Babylon's 'Natural Mystic'

    Mark Stephens, Michelle A Stephens•Cultural Studies•1998

  • The Blackness of Sugar

    Frances R Aparicio•Cultural Studies•1999

  • Otavaleños at the Crossroads

    Open Access•Michelle Wibbelsman•Journal of Latin American…•2005

  • Jazz in Athens

    Ioannis Tsioulakis•British Journal of Ethnomusicology•2011

  • What Does Race Have to Do with Ugly Betty

    Open Access•Jennifer Esposito•Television & New Media•2009

  • (An)Other English city

    Open Access•Jayne O Ifekwunigwe•Ethnicities•2002

  • They were told it was too Black”

    Open Access•Timo Koren•Geoforum•2023

  • Vampires, Vixens, and Feminists

    Alison Happel, Jennifer Esposito•Educational Studies•2010

  • Education by Any Means Necessary

    Ty-Ron M O Douglas, Ty-Ron Michael Douglas et al.•Educational Studies•2013

  • Using Popular Culture Texts in the Classroom to Interrogate Issues of Gender Transgression Related Bullying

    Alison Happel-Parkins, Alison Happel‐parkin et al.•Educational Studies•2015

  • Introduction

    Open Access•David M Guss•Journal of Latin American…•2006

  • From tourism to solidarity

    Open Access•James Nissen•Gender Place & Culture•2022

  • Créolitéandfrancophoniein music

    Line Grenier, Jocelyne Guilbault•Cultural Studies•1997

  • Beyond the Black Atlantic

    Jennifer Cattermole•Musicology Australia•2013

  • The work that genre does

    Open Access•Timo Koren•Poetics•2022

  • Tropical Mix”

    Petra R Rivera•Popular Music & Society•2011

  • Rock Journalists and Music Critics

    B Lee Cooper•Popular Music & Society•2010

  • Aboriginal Contemporary Music as Australian Cultural Heritage

    Karl Neuenfeldt•Popular Music & Society•2008

  • The Same Distant Places

    Richard Elliott, Richard L Elliott•Popular Music & Society•2009

  • You Can't Win, Child, but You Can't Get Out of the Game”

    Jack Warwick, Jacqueline Warwick•Popular Music & Society•2012

  • Recasting ‘Black Venus’ in the new African Diaspora

    Open Access•Jayne O Ifekwunigwe•Women s Studies International Forum•2004

  • Mala Bizta Sochal Klu

    Open Access•Geoff Baker•Popular Music•2012

  • Do music festival communities address environmental sustainability and how? A Scottish case study

    Open Access•Matt Brennan, Jo Collinson Scott et al.•Popular Music•2019

  • Youth and Cultural Practice

    Mary Bucholtz•Annual Review of Anthropology•2002

  • Some Futures of Anthropology

    Open Access•B Ortner, Sherry B Ortner•American Ethnologist•1999

  • Semiotics of Music

    Open Access•Jonathan Matusitz•The Journal of Popular Culture•2010

Obras citantes distintas43
Citas por año1,48
Intervalo de citas1997 - 2023 (27)
Velocidad de citaciónhistorical
Altamente citadoNo
Tipos de citaNeutras: 43
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