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A Grounded Theory of Musical Independence in the Concert Band

Datos Bibliográficos

ID10200728
AutoresBrian Weidner (0000-0001-5493-3357, Butler University, Indianapolis, IN, USA, autor de correspondencia)
Año2020
Volumen68
Número1
Páginas53-77
Fecha de publicación2020-01-07
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaJournal of Research in Music Education (JOURNAL)
Identificadores de la revistaISSN: 0022-4294 • E-ISSN: 1945-0095
EditorialSAGE Publishing (PUBLISHER • US)
DOI10.1177/0022429419897616
OpenAlexW3000615653
IdiomaEN
Citas recibidas2
Referencias citadas30

Defined as the ability to engage in music activities on one’s own, musical independence is a frequent goal of music education. This yearlong study investigated musical independence within concert bands through interviews and observations of participants of secondary programs that included musical independence as a primary objective. Constructivist grounded theory analyses of the participants’ experiences led to a model of musical independence that included three interrelated outcomes: student agency, critical decision making, and lifewide/lifelong musicianship. These outcomes were the result of specific instructional practices that utilized cognitive modeling, scaffolded instruction, and authentic, regular, student-led music-making in curricular ensembles to promote student agency and decision making. These instructional practices relied upon preconditions for independence, including musical, social, and 21st-century skills foundations frequently found in large-ensemble classrooms. This study provides a model that can be situated within current large-ensemble practices to support the development of musical independence

Agency (philosophy · Grounded theory · Independence (probability theory · Mathematics education · Music education · Musical · Pedagogy · Qualitative research · Situated · Social constructivism · Social science · Sociology · Visual arts · Computer Science · Diverse Music Education Insights · Music Education and Analysis · Neuroscience and Music Perception · Psychology · Social Psychology

  • Beyond the Divide Between Qualitative and Quantitative Research

    Giulia Ripani, Stephen F Zdzinski•Bulletin of the Council for…•2024

  • Describing Engagement in the Collegiate Concert Band Rehearsal

    Open Access•Ryan D Shaw, David M Hedgecoth et al.•Journal of Research in Music…•2024

  • Abductive Analysis

    Iddo Tavory, Stefan Timmerman et al.•Abductive Analysis•2014

  • Grounding Grounded Theory

    Ian Dey•Grounding grounded theory•1999

  • Informed Grounded Theory

    Robert Thornberg•Scandinavian Journal of…•2012

  • Lifewide as well as lifelong

    Patrick Jones, Patrick M Jones•International Journal of…•2009

  • Who Enrolls in High School Music? A National Profile of U.S. Students, 2009–2013

    Open Access•Kenneth Elpus, Carlos R Abril•Journal of Research in Music…•2019

  • Independence Pending

    Open Access•Rebecca A Roesler•Journal of Research in Music…•2016

  • The Moral Ends of Band

    Randall Everett Allsup•Theory Into Practice•2012

Obras citantes distintas2
Citas por año1
Intervalo de citas2024 - 2024 (1)
Velocidad de citaciónrecent
Altamente citadoNo
Tipos de citaNeutras: 2
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