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Ovid’s Creusa

Apollo, Paean, and Poetic Possibility (Met. 1.566)

Datos Bibliográficos

ID10284992
AutoresCelia Campbell (0009-0008-9862-0035, Emory University https://dx.doi.org/1371 Atlanta United States, autor de correspondencia)
Año2025
Páginas1-22
Fecha de publicación2025-10-01
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaMnemosyne (JOURNAL)
Identificadores de la revistaISSN: 0026-7074 • E-ISSN: 1568-525X
EditorialBrill (PUBLISHER • NL)
DOI10.1163/1568525x-bja10377
OpenAlexW4415103132
IdiomaEN
Referencias citadas4

This article makes two interconnected suggestions about source inspiration for Ovid’s myth of Apollo and Daphne. The first proposes a new lineage for Daphne and considers her genealogy in both a literal and literary way. The second uses the vantage point of Daphne’s literary background to reinterpret anew the multiplicity of meanings behind Apollo’s naming as Paean at the close of the myth. These reinterpretations show how Ovid uses the hymnic genre to set up and structure this myth in ways not yet fully explored

Apollo · Literal (mathematical logic · Mythology · Point (geometry · Set (abstract data type · Hispanic-African Historical Relations · History of Medicine Studies

  • Hesiod and Classical Greek Poetry

    Open Access•Zoé Stamatopoulou•Hesiod and Classical Greek Poetry•2017

  • Ovid's Poetics of Illusion

    Micaela Janan, Philip Hardie•The Classical World•2004

  • The Play of Fictions

    Margaret Worsham Musgrove, A M Keith•The American Journal of Philology•1994

  • "Horace's "Carmen Saeculare

    Michèle Lowrie, Michael C J Putnam•The Classical World•2003

Velocidad de citaciónhistorical
Altamente citadoNo

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