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Fictions of Abundance in Early Modern Madrid

Hospitality, Consumption, and Artistic Identity in the Work of Juan van der Hamen y León

Datos Bibliográficos

ID10415203
AutoresCarmen Ripollés (0000-0002-6346-4166, Portland State University, autor de correspondencia)
Año2016
Volumen69
Número1
Páginas155-199
Fecha de publicación2016-03-01
Open AccessSí
TipoARTICLE
RevistaRenaissance Quarterly (JOURNAL)
Identificadores de la revistaISSN: 0034-4338 • E-ISSN: 1935-0236
EditorialUniversity of Chicago Press (PUBLISHER • US)
DOI10.1086/686329
OpenAlexW2290617913
IdiomaEN
Citas recibidas1
Referencias citadas37

This article examines how still-life painting contributed to the creation of a distinct urban aristocratic culture in seventeenth-century Madrid. Focusing on a group of paintings by Juan van der Hamen, the article situates these images within the context of the picture gallery and the practice of aristocratic hospitality. By giving visual form to this new urban mode of magnificence, Van der Hamen’s still lifes created a fiction of abundance that glossed over Madrid’s economic realities. At the same time, Van der Hamen concealed signs of manual craftsmanship and commercial interest in order to advance and ennoble his own artistic identity

Aesthetics · Archaeology · Art · Art history · Consumption (sociology · Context (archaeology · Hospitality · Humanities · Identity (music · Order (exchange · Painting · Sociology · Tourism · Visual arts · Early Modern Spanish Literature · Historical Art and Architecture Studies · History · Medieval and Early Modern Iberia

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Citas por año1
Intervalo de citas2025 - 2025 (1)
Altamente citadoNo
Abrir DOISci-HubOpen Access
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