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Hegel and the Origins of Art

Datos Bibliográficos

ID10498564
AutoresPeter Erickson (0000-0003-2015-2856, Colorado State University, autor de correspondencia)
Año2019
Volumen55
Número3
Páginas229-250
Fecha de publicación2019-08-12
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaSeminar A Journal of Germanic Studies (JOURNAL)
Identificadores de la revistaISSN: 0037-1939 • E-ISSN: 1911-026X
EditorialUniversity of Toronto Press Inc. (UTPress) (PUBLISHER)
DOI10.3138/seminar.55.3.2
OpenAlexW2966881017
IdiomaEN
Referencias citadas13

Considerable critical attention has been devoted over the past several decades to Hegel’s pronouncement of the end of art. But Hegel was equally interested in the problem of its beginning: How did art first come about, both historically and conceptually? What significance does this origin have for debates over its future? Although today we are accustomed to thinking of cave paintings when we think of the earliest instantiations of art, in the eighteenth century many writers and intellectuals thought instead of architecture. In his lectures Hegel provides an account of the origin of architecture (and art) that can best be understood in contrast to conventional Enlightenment accounts of this origin in the state of nature

Aesthetics · Art · Art history · Enlightenment · Epistemology · Hegelianism · Literature · Painting · State (computer science · Visual arts · Architecture · Computer Science · Historical Architecture and Urbanism · Kierkegaardian Philosophy and Influence · Philosophy · Philosophy and Historical Thought

  • The Hut and the Altar

    Richard Wittman•Studies in eighteenth century…•2007

  • Symbolic, Classical, and Romantic Art

    Terry Pinkard•Hegel and the Arts•2018

  • Hegel and the Arts

    Stephen Houlgate•Hegel and the Arts•2007

  • On Adam's House in Paradise

    Arpad Mezei, Joseph Rykwert•Leonardo•1974

  • The Writing of the Walls

    Richard C Becherer, Richard Becherer•Journal of Architectural Education•1990

  • Poetry, language, thought

    Martin Heidegger•Being and time•2001

  • Authenticity in Painting

    Robert B Pippin, Robert Pippin•Critical Inquiry•2005

  • What Was Abstract Art? (From the Point of View of Hegel)

    Robert B Pippin•Critical Inquiry•2002

Velocidad de citaciónhistorical
Altamente citadoNo

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