The Philosophy of Horror or Paradoxes of the Heart
Datos Bibliográficos
| ID | 10691289 |
|---|---|
| Autores | Nicola Carroll (0000-0001-8344-1220), Noël Carroll |
| Año | 1991 |
| Volumen | 41 |
| Número | 165 |
| Páginas | 519 |
| Fecha de publicación | 1991-10-01 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | The Philosophical Quarterly (JOURNAL) |
| Identificadores de la revista | ISSN: 0031-8094 • E-ISSN: 1467-9213 |
| Editorial | Oxford University Press (OUP) (PUBLISHER) |
| DOI | 10.2307/2220100 |
| OpenAlex | W3216584098 |
| Idioma | EN |
| Citas recibidas | 105 |
Journal Article Book Notes Get access The Philosophy of Horror or Paradoxes of the Heart. By Noel Carroll. (New York and London: Routledge, 1990. Pp. xi + 256. Price £9.99 p/b.) B. G B. G Search for other works by this author on: Oxford Academic Google Scholar The Philosophical Quarterly, Volume 41, Issue 165, October 1991, Page 519, https://doi.org/10.2307/2220100 Published: 01 October 1991
Art · Art history · Sociology · Classical Philosophy and Thought · Classics · Epistemology, Ethics, and Metaphysics · Philosophical Ethics and Theory · Philosophy
Uma história da literatura de horror no Brasil
Abjection interrogated
Crossing the Fictional Line
Hero or villain? The role of audience beliefs about suspense for their suspense experience
Longo caminho da morte (1971) e as fronteiras entre o Cinema Novo e o Cinema Marginal
Alien invaders
Guilt-based filmmaking
Evil never dies, right?’ Monstrous mediation in the A Nightmare on Elm Street Film Series
Brutal truth
Victims and bystanders
Experimental Philosophy of Aesthetics
Disgust Talked About
Disgust and Aesthetics
Promoting the thrills
The Orc—Playing the “Wholly Other”
Fear of Monsters
It's Like a Horror Movie That You Walk Through’
The Cultural Politics of Horror Film Criticism
Alejandra Pizarnik e a Condessa Sangrenta
Locating haunting
(Fullmetal) alchemy
The Supernatural Beings of Belief Legends – Old Fears in a New Context
"Paradoksaalsed igapäevakujut(l)used? Narratiivsed persoonid, pärisustamine ja "Halvale teele
Towards a theory of grotesque transparency
It was a Serious Kitchen Knife
Perilous Policing
The horror film, the body and the youth audience
Staking the Monster
The Devil Finds Use
I See Dead People
Underbelly , true crime and the cultural economy of infamy
The Monstrous ‘Other’ Feminine
Frontier poetry
Slime, Gender, and Environment
Singing Crimes, Rhyming News
Sad Art Gives Voice to Our Own Sadness
Elite universities
Haunted Places in US Culture
La cultura del horror en las sociedades avanzadas
Stranger Teens
O (Re)conhecimento Da Sócio-História Nas Capacidades De Significação
Sympathy for the Devil
Art, imagination, and experiential knowledge
How literature expands your imagination
Despondent superheroes and cosmic horror
Beyond the Reach
Robert E. Park reconsidered
Culture, Evil, and Horror
Index “Corona”
Revisiones posmodernas del gótico en la literatura y las artes visuales
Representations of Lethal Gender-Based Violence in Italy Between Journalism and Literature
Toista ajatellen. Historiallisia ja kulttuurisia näkökulmia toiseuden kohtaamiseen
Popularizing Pandaemonium
Reading for Learning
Wholly ambivalent demon-girl
The speed of the VCR
Domestication in the Theater of the Monstrous
“Reality – Is it a Horror?”
Horror Sells as Commodity
The transmedial triangulation of Dracula
Horror and Fear in Ghost Stories
Mitos dan paradoks diskursus perempuan dalam film horor Kuime (Over Your Dead Body)
Luto, Negação, Alucinação
A Resistência Do Passado
Horror, Violência E Epidemia
A Máquina, O Fantasma E a Sombra Do Eu
Really Boring Art
‘Nemeses! Dragons! Symbolism!’
Mythopoetics of the Cemetery Space in Horror Fiction (Based on the Material of Modern Russian Literature)
Analisis Struktur Penceritaan Webtoon Horor Creep Episode 11
Psychology and Neurobiology of Horror Movies
Toward a Philosophy of Melodrama
French Horror
Reflexiones sobre H. Muñoz-Fernández (2020). Filosofía y cine. Filosofía sobre cine y cine como filosofía. Zaragoza
Horror Films and Grief
What is Distinctive of Film Emotions
Lives as Collections of Strands
The fantasies of Black Final Girls
Espacios liminares
It’s a Fine Line Between Sadism and Horror
The conceptual exportation question
Visual tactility
‘Becoming’ Romeo
Sometimes I Am Fictional
Corporeality, hyper-consciousness, and the Anthropocene ecoGothic
Emotions, Actions and Inclinations to Act
Longings in Limbo
Fear within the Frames
Therianthropes in a Cartesian and an Animistic Cosmology
‘Seeing-as’
‘Don’t Look … Or It Takes You’
Hannibal
Introduction
Eisenstein and Horror
Tales of Terror in Québec Popular Cinema
Mimetic and synthetic views of characters
Introduction
Contemporary Indonesian Film; Spirits of Reform and ghosts from the past
Religion of Fear
Silent Hill
| Obras citantes distintas | 105 |
|---|---|
| Citas por año | 2,92 |
| Intervalo de citas | 1990 - 2025 (36) |
| Velocidad de citación | recent |
| Altamente citado | Sí |
| Tipos de cita | Neutras: 57 |