Principles of Art History Writing
Datos Bibliográficos
| ID | 10697501 |
|---|---|
| Autores | Cynthia A Freeland, Cynthia Freeland, David Carrier |
| Año | 1993 |
| Volumen | 102 |
| Número | 2 |
| Páginas | 296 |
| Fecha de publicación | 1993-04-01 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | The Philosophical Review (JOURNAL) |
| Identificadores de la revista | ISSN: 0031-8108 • E-ISSN: 1558-1470 |
| Editorial | JSTOR (PUBLISHER) |
| DOI | 10.2307/2186051 |
| OpenAlex | W2064617976 |
| Idioma | EN |
| Citas recibidas | 4 |
Principles of Art History Writing traces the changes in the way in which writers about art represent the same works. These differ in such deep ways as to raise the question of whether those at the beginning of the process even saw the same things as those at the end did. Carrier uses four case studies to identify and explain changing styles of restorations and the history of interpretations of selected works by Piero, Caravaggio, and van Eyck
Aesthetics · Analytic philosophy · Art · Contemporary philosophy · Epistemology · Literature · Aesthetic Perception and Analysis · Architecture and Art History Studies · Art History and Market Analysis · Philosophy
| Obras citantes distintas | 4 |
|---|---|
| Citas por año | 0,13 |
| Intervalo de citas | 1994 - 2017 (24) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 1 |