Obesity, Corpulence and Emaciation in Roman Art
Datos Bibliográficos
| ID | 10967261 |
|---|---|
| Autores | Mark Philip Bradley (0000-0002-6473-7111, autor de correspondencia), Mark Bradley (0000-0001-7893-1575) |
| Año | 2011 |
| Volumen | 79 |
| Páginas | 1-41 |
| Fecha de publicación | 2011-11-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Papers of the British School at Rome (JOURNAL) |
| Identificadores de la revista | ISSN: 0068-2462 • E-ISSN: 2045-239X |
| Editorial | Open Book Publishers (PUBLISHER) |
| DOI | 10.1017/s0068246211000018 |
| OpenAlex | W2052681065 |
| Idioma | EN |
| Citas recibidas | 28 |
| Referencias citadas | 93 |
This article explores the significance of sculptural and painted representations of ‘overweight’ and ‘underweight’ body types in the visual culture of Roman Italy from the fourth century bc through to the late Empire, and considers the relationship of this imagery to Greek and Hellenistic precedents. In spite of the topical character of fat in 21st-century sociology, anthropology and medical science, obesity and emaciation in the ancient world remain almost completely unexplored. This article sets out to examine the relationship of fat and thin bodies to power, wealth, character and behaviour, and seeks to identify patterns and continuities in the iconography of fleshiness and slenderness across a stretch of several hundred years. Such bodies could be evaluated in a number of different ways, and this article exposes the diverse — and sometimes contradictory — responses to body fat in the art and culture of the Roman world. It first examines the significance of obesity and emaciation in language, literature and medicine, and then discusses visual representations under three headings: ‘Fertility’; ‘The marginal and the ridiculous’, examining the relationship between body fat, humour and figures at the edge of civilized society; and ‘Portraits’, exploring fat and thin in the portraiture of real-life individuals in the realms of philosophy, Hellenistic rulership, Etruscan funerary art and Roman public sculpture
Aesthetics · Art · Art history · Emaciation · Iconography · Literature · Pathology · Portrait · Sculpture · Visual arts · Visual culture · History · Medicine · Obesity and Health Practices
Images and Interpretation of “the Other” in Roman Social Practice
Senecan Drama and the Age of Nero
Post-Augustan Revisionism
Philosophers and the State under Nero
Nero in Hollywood
Petronius, Realism, Nero
Nero and the Senate
Nero’s Women
Seneca and the Quest for Glory in Nero’s Golden Age
Art and the Decadent City
Burning Rome, Burning Christians
Introduction
The Neronian “Symptom”
“Ain’t Sayin’”
Lucan’s Civil War in Nero’s Rome
Nero’s Memory in Flavian Rome
Staging Nero
Resurgences of Nero in the Enlightenment
Nero the Performer
Nero
Nero’s Imperial Administration
Neurological and Neuropsychiatric Diseases through the Lens of Roman Sculpture
The Distant Origins of “Fat Shaming” or why the People of Antiquity did not Ridicule Fat Women
(Re)moving the Masses
The Cambridge Companion to the Age of Nero
Moderation, refined luxury, or extravagance? Fattened animals and ancient Roman norms and values
J.B. Ward-Perkins, the BSR and the Landscape Tradition in Post-War Italian Archaeology
The Semiotics of Western Hospitals
Never satisfied
Athenaeus and his world
Blacks in antiquity
The Iconography of Bes with Particular Reference to the Cypriot Evidence
The Sculpted Word
Eunuchs in Antiquity and Beyond
The Loaded Table
Children and Childhood in Roman Italy
Famine and Food Supply in the Graeco-Roman World
Mutilation and Transformation
The Mask of Socrates
Food and Society in Classical Antiquity
An Anthropological Perspective on Obesity
Aufstieg Und Niedergang Der Romischen Welt
Pleasure and desire
Spätantike Kaiserporträts
Venus, Polysemy, and the Ara Pacis Augustae
Parchments of gender
Naked Truths
The Comic Body in Greek Art and Drama
The Stable Hands of Dionysos
Three uses of the Pygmy and the aethiops at Pompeii
The Good, the Base, and the Ugly
Looking at Laughter
A Companion to Julius Caesar
Making Men
Constructions of the Classical Body
Not the Classical Ideal
The Power of Images in the Age of Augustus
Héraklès Epitrapezios
Cybele and Attis
Penelope's Fat Hand (od. 21. 6-7)
Parchments of Gender
The Eye of the Beholder
Antinous, Archaeology and History
Physiognomics in the Ancient World
The Suffering of Isis/Io and Paul's Portrait of Christ Crucified (Gal. 3
The Drunken Herakles a New Angle on an Unstable Subject
Three Centuries of Hellenistic Terracottas, I, B and C
Three Centuries of Hellenistic Terracottas
Hellenistic Sculpture I
Alexander the Great in Greek and Roman Art
I, Claudia
Naked Truths
La Tryphé, philosophie royale ptolémaïque
Fish, Sex and Revolution in Athens
Roman Historical Portraits
The Origin of Verism in Roman Portraits
The Roman Nude
The Art of the Body
How to avoid being a komodoumenos
Aegyptiaca Romana
Roman Portraits in Context
The Public Image of Licinius I
Fat, Gluttony and Sloth
Nature Embodied
Notes on Representations of Socrates and of Diogenes and Other Cynics
Die Strahlen der Herrscher
Civilis Princeps
The Bodily Grotesque in Roman Satire
The Characters of Theophrastus
A New Venus Genetrix in Washington
The Goddess Ceres in the Ara Pacis Augustae and the Carthage Relief
Damnatio Memoriae in Stone
The Portraits of Nero
A Statue of the Type Called the Venus Genetrix in the Royal Ontario Museum
The Weary Herakles of Lysippos
Prehistoric Venuses
| Obras citantes distintas | 28 |
|---|---|
| Citas por año | 3,11 |
| Intervalo de citas | 2017 - 2025 (9) |
| Velocidad de citación | recent |
| Altamente citado | No |
| Tipos de cita | Neutras: 28 |