Ethnophotography, Nation Branding, and National Competition in Transylvania
Emil Sigerus’ Durch Siebenbürgen
Datos Bibliográficos
| ID | 11048946 |
|---|---|
| Autores | Sacha E Davis (0000-0003-0827-1932, University of Newcastle Australia, autor de correspondencia) |
| Año | 2023 |
| Volumen | 51 |
| Número | 6 |
| Páginas | 1375-1396 |
| Fecha de publicación | 2023-11-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Nationalities Papers (JOURNAL) |
| Identificadores de la revista | ISSN: 0090-5992 • E-ISSN: 1465-3923 |
| Editorial | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/nps.2022.87 |
| OpenAlex | W4311636562 |
| Idioma | EN |
| Citas recibidas | 1 |
| Referencias citadas | 23 |
Scholars have treated images from the golden age of Transylvanian photography, recently elevated to prominence through the digitization of archives, as “authentic” portrayals of peasant culture. However, Hungarian, Romanian, and Saxon nationalists in Transylvania utilized photographs to brand place and nation in the global market, as well as to make claims to territory and assert competing national hierarchies. I examine here Saxon historian, folklorist and travel writer Emil Sigerus’ Durch Siebenbürgen: eine Touristenfahrt in 58 Bildern ( Through Transylvania: a Tourist Trip in 58 Pictures ), published repeatedly between 1905 and 1929. Sigerus’ photographic survey of Transylvania’s natural landscape, built environment and diverse populations branded Transylvania in general and Transylvanian Saxons in particular as a tourist destination unspoiled by the passage of time. Sigerus also projected an ethnically stratified social hierarchy on Transylvania’s heterogeneous population, with Saxons at the apex; asserted Saxon ownership of urban centers, thereby reinforcing Saxon claims to a “civilizing mission” in Transylvania; and laid claim to territory, simultaneously redirecting tourism from other parts of Transylvania to Saxon nationalists’ benefit. By careful curation, then, Sigerus projected a strong nationalist message often overlooked in the analysis of individual images as “objective” sources of evidence
Archaeology · Ethnology · Geography · Nationalism · Peasant · Political science · Population · Romanian · Sociology · Tourism · Central European national history · Demography · European Cultural and National Identity · Historical Geopolitical and Social Dynamics · History · Law
Tourism and National Identities
Branding the Nation
The Modern Fairy Tale
Early portrait and genre photography in Romania
Landschaft, Tourismus und Nation
Peasants in Vienna
Tourism and nationalism
Managing the Past in Urban Portraitures in fin-de-siècle Saxon Transylvania
A most picturesque mass of rags’
Ecstasies of the Young
Competitive Civilizing Missions
The East European Gypsies in the imperial age
Transylvanian villagers
Facing the future
From Minority to Ubermensch
Exhibiting the Austro-Hungarian Empire
Landscape and branding
The history of ethnographic photography and the development of the photographic collections of the Hungarian ethnographical museum in Budapest
Historical photographs as anthropological documents
| Obras citantes distintas | 1 |
|---|---|
| Citas por año | 1 |
| Intervalo de citas | 2026 - 2026 (1) |
| Velocidad de citación | current |
| Altamente citado | No |
| Tipos de cita | Neutras: 1 |