Jim Jarmusch
Music, words and noise
Datos Bibliográficos
| ID | 11190842 |
|---|---|
| Autores | Michael D Dwyer (0000-0001-8862-4595, Arcadia University, autor de correspondencia) |
| Año | 2016 |
| Volumen | 36 |
| Número | 2 |
| Páginas | 258-260 |
| Fecha de publicación | 2016-04-02 |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Historical Journal Of Film Radio and Television (JOURNAL) |
| Identificadores de la revista | ISSN: 0143-9685 • E-ISSN: 1465-3451 |
| Editorial | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/01439685.2016.1164481 |
| OpenAlex | W2332998517 |
| Idioma | EN |
Among media scholars, cultural historians and film critics, the 1980s are often dismissed as a period of bloated blockbuster aesthetics, Reaganist/Thatcherite politics and greed-is-good myopia. Occ
Aesthetics · Art · Literature · Media studies · Movie theater · Noise (video) · Period (music) · Political science · Politics · Sociology · Thatcherism · Computer Science · History · Law · Music History and Culture · Musicology and Musical Analysis
| Altamente citado | No |
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