Site and Re-Site

Early Efforts to Serialize Site Dance

Datos Bibliográficos

ID11222650
AutoresMelanie Kloetzel (0000-0003-0398-7616, autor de correspondencia)
Año2017
Volumen49
Número1
Páginas6-23
Fecha de publicación2017-04-01
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaDance Research Journal (JOURNAL)
Identificadores de la revistaISSN: 0149-7677 • E-ISSN: 1940-509X
EditorialCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0149767717000018
OpenAlexW2606190353
IdiomaEN
Citas recibidas3
Referencias citadas18

In this article, I investigate the historical precedents of site-adaptive dance. After walking through the mobility discourse as applied to site-specific art by such scholars as Miwon Kwon, Fiona Wilkie, and Victoria Hunter, I examine the mobile site works of North American choreographers Ann Carlson, PearsonWidrig DanceTheater, Eiko & Koma, and Stephan Koplowitz as exemplary of early attempts to take site dance on tour. Finally, I argue for the value of employing the lens of adaptation to analyze such works, both for the field of site performance and for the larger cross-disciplinary dialogues that could be activated

Adaptation (eye) · Aesthetics · Art · Concert dance · Dance · Discipline · Serialization · Social science · Sociology · Visual arts · Art Education and Development · Asian Culture and Media Studies · Computer Science · Diversity and Impact of Dance · History · Psychology