The Male Dancer in the Middle East and Central Asia
Datos Bibliográficos
| ID | 11223052 |
|---|---|
| Autores | Anthony Shay (Claremont Colleges, autor de correspondencia) |
| Año | 2006 |
| Volumen | 38 |
| Número | 1-2 |
| Páginas | 137-162 |
| Fecha de publicación | 2006-01-01 |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Dance Research Journal (JOURNAL) |
| Identificadores de la revista | ISSN: 0149-7677 • E-ISSN: 1940-509X |
| Editorial | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0149767700007427 |
| OpenAlex | W1953035289 |
| Idioma | EN |
| Citas recibidas | 8 |
| Referencias citadas | 22 |
Within this quotation the reader may find a rich description of historical and even contemporary Middle Eastern attitudes toward dance and male dancers in particular, penned from a native point of view. In this article I address those attitudes, but more importantly challenge several cherished, long-held assumptions and theoretical stances expressed by native elites and Westerners interested in Middle Eastern dance and dancers. First, I challenge the romantic views that many gay men hold that the presence of male dancers and the sexual interest expressed toward them by Middle Eastern men somehow constitutes evidence for an environment accepting of homosexuality and a Utopian gay paradise, where the possibility of unbridled sexual congress with handsome, passionately out-of-control Arabs, Persians, and Turks exists. Thus, they crucially confuse gay or homosexual identity with homosexual activity or behavior. Because of this confusion, I use an important aspect of queer theory that counters “the monolithic alternative of liberationist gay politics” (Bleys 1995, 7) to look at the phenomenon of professional male dancers in a somewhat grittier, more realistic light. In particular, I refer to Stephen O. Murray's groundbreaking article, “The Will Not to Know” (1997, 14–54) which establishes a valuable lens through which to view how the vast majority of Middle Eastern individuals regard homosexual acts
Aesthetics · Art · Art history · Confusion · Dance · Homosexuality · Human sexuality · Identity (music) · Literature · Middle East · Paradise · Political science · Politics · Psychoanalysis · Queer · Romance · Sexual identity · Sociology · Diversity and Impact of Dance · Gender Studies · History · Law · Psychology · Sport and Mega-Event Impacts · Sports, Gender, and Society
Sexuality and gender within Afghanistan'sbacha bereeshpopulation
Köçekli̇k Geleneği̇nde Müzi̇k Prati̇kleri̇ Ve Müzi̇kal Sürdürülebi̇li̇rli̇k
La musique, la danse et le vin
Breadwinning, migration, and nation-building
Openness, Distrust, and the Making of Belonging. How Intimacy and Belonging are Intertwined in Interpretative Processes of Single Male Refugees from Syria
Troisième genre et transsexualité en pays d’islam
The Afghan Bachah and its Discontents
The Afghan Murat
Mass culture and modernism in Egypt
The making of exile cultures
Beyond the Veil
Iranian Culture
Women with Mustaches and Men without Beards
Invention of Tradition
Mass MediationsNew Approaches to Popular Culture in the Middle East and Beyond
Sexuality and Eroticism Among Males in Moslem Societies
Destination Culture
Christianity, Social Tolerance, and Homosexuality
The Cambridge History of Iran
Homoeroticism in Classical Arabic Literature
Desire and the gaze
Raks El Sharki
Men, Women, and Boys
Languages of Dress in the Middle East
Belly Dance
Dances of Anatolian Turkey
Nomads of Luristan
Dances of Anatolian Turkey
Beyond the Veil
| Citas por año | 1,6 |
|---|---|
| Intervalo de citas | 2021 - 2026 (6) |
| Altamente citado | No |