Managing multiple identity challenges and the origins of Israeli national television (in Arabic)
Datos Bibliográficos
| ID | 11268129 |
|---|---|
| Autores | Galia Press-Barnathan (The Hebrew University of Jerusalem, Israel), Galia Press‐barnathan (0000-0003-3909-4641, Hebrew University of Jerusalem, autor de correspondencia) |
| Año | 2019 |
| Volumen | 41 |
| Número | 4 |
| Páginas | 449-464 |
| Fecha de publicación | 2019-05-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Media Culture & Society (JOURNAL) |
| Identificadores de la revista | ISSN: 0163-4437 • E-ISSN: 1460-3675 |
| Editorial | SAGE Publications (PUBLISHER • US) |
| DOI | 10.1177/0163443718781980 |
| OpenAlex | W2809002399 |
| Idioma | EN |
| Citas recibidas | 5 |
| Referencias citadas | 35 |
This article examines the intriguing decision of the Israeli government in the aftermath of the 1967 War to embark on a national television project that would be dominated by broadcasts in Arabic. Since actual broadcasts quickly ended up switching to Hebrew, this initial rationale has received little academic attention. Based on primary research, the article suggests that the original decision was driven by the desire of the State to address four identity challenges that it faced at the time: the challenge of delegitimation and hostile propaganda by the Arab world, the challenge of dealing with the Palestinian population in the newly occupied territories, the challenge of dealing with Israel’s Arab citizens, and the challenge of dealing with the Jewish immigrants from the Arab world. I argue that the promise of addressing these multiple challenges made the TV project very attractive, even if for a short time, thus leading to its initiation. The discussion is anchored in the literature from the field of International Relations that explores the concepts of soft power and ontological security and consequently the potential role of popular culture in shaping and managing identity challenges
Aesthetics · Arabic · Government (linguistics · Identity (music · Immigration · Media studies · National identity · Political economy · Political science · Politics · Population · Power (physics · Public relations · Sociology · State (computer science · Jewish and Middle Eastern Studies · Law · Middle East and Rwanda Conflicts · Middle East Politics and Society
Television And Everyday Life
Arabs in the Jewish State
Media Events
Global TV
Defacing Power
Ontological Security in International Relations
Media, Ritual And Identity
State Expansion and Conflict
International Self, The
Seeking Ontological Security beyond the Nation
Identity and desecuritisation
The evolution of international security studies and the everyday
Zionism's Internal Others
Why `Soft Power' Isn't So Soft
The Aesthetic Turn in International Political Theory
Pluralist Methods for Visual Global Politics
Ontological dissonance, clashing identities, and Israel's unilateral steps towards the Palestinians
The pillar of fire by night, to shew them light
The Belly Dancer Strategy
Television, ontological security and the transitional object
Media culture as counter-hegemonic strategy
Searching for a Theory of Public Diplomacy
Broadcasting in the Third World
Nation Branding, National Self-Esteem, and the Constitution of Subjectivity in Late Modernity
Irish-language broadcasting
Broadcasting and national identity in Ireland
Going Cultural
Pop Goes IR? Researching the Popular Culture—World Politics Continuum
Ontological Security in World Politics
The affective underpinnings of soft power
Securing the Political Imagination
Hollywood and the Popular Geopolitics of the War on Terror
Globalization and Religious Nationalism
| Obras citantes distintas | 5 |
|---|---|
| Citas por año | 0,71 |
| Intervalo de citas | 2019 - 2024 (6) |
| Velocidad de citación | recent |
| Altamente citado | No |
| Tipos de cita | Neutras: 5 |