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The Witch of Endor Slept Here

W. E. B. Du Bois and the Crisis of the George Washington Bicentenary

Datos Bibliográficos

ID11272072
AutoresLurana Donnels O’malley (0000-0002-9646-1658, University of Hawaiʻi at Mānoa, autor de correspondencia)
Año2016
Páginasmlw043
Fecha de publicación2016-10-28
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaMELUS Multi-Ethnic Literature of the United States (JOURNAL)
Identificadores de la revistaISSN: 0163-755X • E-ISSN: 1946-3170
EditorialOxford University Press (PUBLISHER • GB)
DOI10.1093/melus/mlw043
OpenAlexW2542275663
IdiomaEN
Referencias citadas14

In 1932 (the two-hundredth anniversary of the birth of George Washington and a time of institutionally sponsored patriotic fervor), the African American writer W. E. B. Du Bois published a play that would challenge the veneration of America’s first president. In George Washington and Black Folk: A Pageant for the Bicentenary, 1732-1932, Du Bois aimed to provide an alternative view of established history, with a focus on African Americans’ achievements during the Washington era.

Ancient history · Art · Art history · George (robot) · Hundredth · Memphis · Veneration · Witch · American Constitutional Law and Politics · American Political and Social Dynamics · History · Philosophy · Race, History, and American Society · Religious studies

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Velocidad de citaciónhistorical
Altamente citadoNo
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