Alice Dunbar-Nelson’s Charm Aesthetics and the Bugbear of Social Equality
Datos Bibliográficos
| ID | 11272095 |
|---|---|
| Autores | Erica Stevens (Houston Community College System, autor de correspondencia) |
| Año | 2019 |
| Volumen | 44 |
| Número | 3 |
| Páginas | 129-154 |
| Fecha de publicación | 2019-09-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | MELUS Multi-Ethnic Literature of the United States (JOURNAL) |
| Identificadores de la revista | ISSN: 0163-755X • E-ISSN: 1946-3170 |
| Editorial | Oxford University Press (PUBLISHER • GB) |
| DOI | 10.1093/melus/mlz034 |
| OpenAlex | W2969826982 |
| Idioma | EN |
| Referencias citadas | 30 |
Alice Dunbar-Nelson’s The Goodness of St. Rocque, and Other Stories (1899) plays with the diminutive description of “charming” often given to local-color writers in order to imagine alternative social relations in an era determined by modes of difference and exclusion. Charm—an aesthetic category most generally understood to be manipulative, feminine, and a distracting accessory to beauty—becomes the method supporting this collection’s challenge to the contemporary discourse of “social equality.” In the late nineteenth century, social equality was a distorted idea meant to accuse those pushing for civil rights of also seeking to eliminate individual choice from the social world and the public sphere or, at the most extreme, of advocating intermarriage of the races. In her short story collection, Dunbar-Nelson responds to the issue of social equality not directly but through her unique understanding of how literary form and character could charm readers into attachments beyond intersubjective desire or assured knowledge. Throughout The Goodness of St. Rocque, and Other Stories, her narrators mystify the reader’s search for knowledge and turn characters into resistant objects. Building on critical conversations about Dunbar-Nelson’s challenges to racial categorization, this essay explores the connections between aesthetics and politics in the early work of this writer, a writer who otherwise expressed a desire to maintain a distinction between those two goals for her fiction
Aesthetics · Alice (programming language) · Art · Art history · Beauty · Character (mathematics) · Charm (quantum number) · Literature · Order (exchange) · Political science · Politics · Public sphere · Sociology · Ecocriticism and Environmental Literature · Geographies of human-animal interactions · Law · Postcolonial and Cultural Literary Studies
In the break
Equal Citizenship, Civil Rights, and the Constitution
Dividing Lines
A Sense of Things
Critique of the Power of Judgment
The Distinction of Du Bois
Desegregation in New Orleans Public Schools During Reconstruction
Interracial Intimacy
Uncivil War
Wounds of Returning
Black Congressmen during Reconstruction
Color, Sex, and Poetry
The Literary Career of Charles W. Chesnutt
Black and White Strangers
Southern History across the Color Line
The Cultural Politics of Obeah
Alice Dunbar-Nelson's Local Colors of Ethnicity, Class, and Place
The commons
Before Cultures
| Velocidad de citación | historical |
|---|---|
| Altamente citado | No |