To Become What One Is

Datos Bibliográficos

ID11327242
AutoresLindsay Waters (autor de correspondencia)
Año2021
Volumen48
Número1
Páginas251-263
Fecha de publicación2021-02-01
Peer ReviewedSí
Open AccessNo
TipoARTICLE
Revistaboundary 2 (JOURNAL)
Identificadores de la revistaISSN: 0190-3659 • E-ISSN: 1527-2141
EditorialDuke University Press (PUBLISHER • US)
DOI10.1215/01903659-8821510
OpenAlexW3132004291
IdiomaEN
Referencias citadas21

In the twentieth century, criticism flourished in the academy in the English language from the 1930s to the 1960s, but gradually a hyperprofessionalized discourse purporting to be criticism took its place. The problem was exacerbated because people misunderstand literary theory thinking it superior to criticism. Big mistake. Theory proper begins its life as criticism, criticism that has staying power. Central to criticism as Kant argued is judgment. Judgment is based on feeling provoked by the artwork in our encounters with artworks. This essay talks about the author’s encounter with Mary Gaitskill’s novel Veronica. The critical judgment puts the artwork into a milieu. This essay argues the case for the holism of critical judgments versus what the author calls Bitsiness as Usual, the fragmentation of our understanding of our encounters with artworks. The author subjects both Paul de Man and the New Historicists to severe attacks

Aesthetics · Art · Art criticism · Art history · Constructive criticism · Criticism · Epistemology · Feeling · Literary criticism · Literary science · Literary theory · Literature · Mistake · Performance art · Political science · Power (physics · Sociological criticism · Sociology · Theatre criticism · Law · Philosophy · Shakespeare, Adaptation, and Literary Criticism · Theatre and Performance Studies · Visual Culture and Art Theory