On the Ending of Buster Keaton's The General
Datos Bibliográficos
| ID | 11353201 |
|---|---|
| Autores | Walter Kaufman (0000-0001-8556-0290, Department of Philosophy at University of Massachusetts Lowell, autor de correspondencia), Whitley Kaufman |
| Año | 2019 |
| Volumen | 47 |
| Número | 4 |
| Páginas | 227-232 |
| Fecha de publicación | 2019-10-02 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Journal of Popular Film and Television (JOURNAL) |
| Identificadores de la revista | ISSN: 0195-6051 • E-ISSN: 1930-6458 |
| Editorial | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/01956051.2019.1568226 |
| OpenAlex | W2985406353 |
| Idioma | EN |
| Citas recibidas | 1 |
| Referencias citadas | 9 |
Buster Keaton's “The General” is widely considered among the greatest film comedies of all time. Yet there continues to be dispute about how to interpret its ending. This essay critiques a recent attempt to see the ending as essentially dark or tragic
Art · Epistemology · Literature · Cinema and Media Studies · Philosophy · Shakespeare, Adaptation, and Literary Criticism · Theater, Performance, and Music History
| Obras citantes distintas | 1 |
|---|---|
| Citas por año | 0,25 |
| Intervalo de citas | 2022 - 2022 (1) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 1 |