Al-Muwashshahât and al-Qudûd al-Halabiyya
Two Genres in the Aleppine Wasla
Datos Bibliográficos
| ID | 11565828 |
|---|---|
| Autores | Jonathan H Shannon (0000-0001-8163-0263, Hunter College, autor de correspondencia) |
| Año | 2003 |
| Volumen | 37 |
| Número | 1 |
| Páginas | 82-102 |
| Fecha de publicación | 2003-01-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Middle East Studies Association Bulletin (JOURNAL) |
| Identificadores de la revista | ISSN: 0026-3184 • E-ISSN: 2329-3233 |
| Editorial | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0026318400045454 |
| OpenAlex | W2586273972 |
| Idioma | SO |
| Citas recibidas | 3 |
| Referencias citadas | 9 |
This article analyzes two important genres of Arab music that are heard in Syria in the course of the performance of the wasla , or suite of songs: the muwashshahât and the popular songs known as al-qudûd al-halabiyya . Many consider the muwashshahât (sing, muwashshah ) to be the epitome of Arab music. Poetically, melodically, and vocally, the muwashshahât constitute a veritable treasure-house of Arabic culture and civilization. The qudûd (sing, qadd ) are sung in both standard and colloquial Arabic, but because of their simpler melodic rhythmic structure are generally considered to be simplified versions of muwashshahât ; therefore in this article I treat them as a sub-set of the muwashshahât
Arabic · Archaeology · Art · Civilization · Epitome · Humanities · Linguistics · Literature · Melody · Musical · Popular music · Treasure · African history and culture analysis · History · Islamic Studies and History · Jewish and Middle Eastern Studies · Philosophy
| Obras citantes distintas | 3 |
|---|---|
| Citas por año | 0,14 |
| Intervalo de citas | 2005 - 2023 (19) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 3 |