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Red-and-Black Painted Medieval Architecture

St Mary's Church, New Shoreham, Sussex

Datos Bibliográficos

ID11615374
AutoresGiles Standing (IQVIA (United States), autor de correspondencia), Catherine Hassall
Año2006
Volumen163
Número1
Páginas92-121
Fecha de publicación2006-01-01
Open AccessNo
TipoARTICLE
RevistaArchaeological Journal (JOURNAL)
Identificadores de la revistaISSN: 0066-5983 • E-ISSN: 2373-2288
EditorialTaylor & Francis (PUBLISHER • GB)
DOI10.1080/00665983.2006.11020670
OpenAlexW2013286115
IdiomaEN
Referencias citadas4

Recent survey of the late twelfth- to early thirteenth-century chancel of St Mary's church, New Shoreham (Grade I listed) has revealed traces of two consecutive medieval paint schemes on the architecture, dating from c. 1210. No previous research or publication has taken account of these remains, which indicate the original interior appearance of this large and historic parish church. Samples of the paint have been scientifically analysed, revealing the pigments used and their stratigraphic relationship across the survey area; the identification of carbon black on architectural features is particularly important. Comparison with other ecclesiastical buildings in England and on the Continent indicates that St Mary's chancel is a key example of a widespread decorative scheme of red-and-black architectural polychromy, reinforcing its significance as an exemplar of early Gothic style in medieval England

Ancient history · Archaeology · Art · Style (visual arts · Architecture · Building materials and conservation · Conservation Techniques and Studies · Cultural Heritage Materials Analysis · History

  • The Building History of St Mary De Haura, New Shoreham

    Sally Woodcock•Journal of the British…•1992

  • English Medieval Wall-Paintings

    Joshua S Edwards, John Edwards•Archaeological Journal•1989

  • Mural Painting Of The Doom at Patcham Church, Sussex

    Charles E Keyser•Archaeological Journal•1881

Altamente citadoNo

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