The Reel Joan of Arc
Reflections on the Theory and Practice of the Historical Film
Datos Bibliográficos
| ID | 11664480 |
|---|---|
| Autores | Robert A Rosenstone (autor de correspondencia) |
| Año | 2003 |
| Volumen | 25 |
| Número | 3 |
| Páginas | 61-77 |
| Fecha de publicación | 2003-01-01 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | The Public Historian (JOURNAL) |
| Identificadores de la revista | ISSN: 0272-3433 • E-ISSN: 1533-8576 |
| Editorial | University of California Press (PUBLISHER • US) |
| DOI | 10.1525/tph.2003.25.3.61 |
| OpenAlex | W2143937957 |
| Idioma | EN |
| Citas recibidas | 4 |
| Referencias citadas | 4 |
Although historians in recent years have become interested in evaluating the contributions of historical film to our understanding of the past, they have so far evolved no criteria for doing so. This essay moves toward doing just that by suggesting and examining some of the ways in which the dramatic historical film creates the world of the past on the screen. Operating metaphorically and poetically, the film set in the past becomes a work of history when it engages the ongoing discourse surrounding its subject, asking the kinds of questions historians ask, but answering them in a dramatic and semifictional way
Aesthetics · Arc (geometry · Art · Epistemology · Literature · Media studies · Period (music · Reel · Set (abstract data type · Sociology · Subject (documents · Visual arts · Computer Science · Educator Training and Historical Pedagogy · Engineering · European history and politics · History · Italian Fascism and Post-war Society · Philosophy · Philosophy, History, and Historiography
| Obras citantes distintas | 4 |
|---|---|
| Citas por año | 0,31 |
| Intervalo de citas | 2013 - 2024 (12) |
| Velocidad de citación | recent |
| Altamente citado | No |
| Tipos de cita | Neutras: 4 |