Not One to Toot Her Own Horn(?)
Melba Liston’s Oral Histories and Classroom Presentations
Datos Bibliográficos
| ID | 11679300 |
|---|---|
| Autores | O'connell O'connell (autor de correspondencia), Tucker Tucker |
| Año | 2014 |
| Volumen | 34 |
| Número | 1 |
| Páginas | 121-121 |
| Fecha de publicación | 2014-01-01 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Black Music Research Journal (JOURNAL) |
| Identificadores de la revista | ISSN: 0276-3605 • E-ISSN: 1946-1615 |
| Editorial | University of Illinois Press (PUBLISHER • US) |
| DOI | 10.5406/blacmusiresej.34.1.0121 |
| OpenAlex | W1970148370 |
| Idioma | EN |
| Referencias citadas | 12 |
Monica Hairston O'Connell, Sherrie Tucker, Not One to Toot Her Own Horn(?): Melba Liston’s Oral Histories and Classroom Presentations, Black Music Research Journal, Vol. 34, No. 1 (Spring), pp. 121-158
Archaeology · Art · Art history · French horn · Oral history · Pedagogy · Sociology · Visual arts · History · Music History and Culture · Musicology and Musical Analysis · Theater, Performance, and Music History
Saying Something
Thinking in Jazz
A Voice and Nothing More
Fictions Of Feminist Ethnography
Telling Performances
Oral History, Masks, and Protocol in the Jazz Community
Stormy Weather
An Archive of Feelings
Empathy and Authority in Oral Testimony
The Affective Power of Sound
"Mary Lou Williams Plays Like a Man!" Gender, Genius, and Difference in Black Music Discourse
| Velocidad de citación | historical |
|---|---|
| Altamente citado | No |