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The Themes and Staging of Bartholomew Fair

Datos Bibliográficos

ID11869695
AutoresParker Parker (autor de correspondencia)
Año1970
Volumen39
Número4
Páginas293-309
Fecha de publicación1970-07-01
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaUniversity of Toronto Quarterly (JOURNAL)
Identificadores de la revistaISSN: 0042-0247 • E-ISSN: 1712-5278
EditorialUniversity of Toronto Press (PUBLISHER • CA)
DOI10.3138/utq.39.4.293
OpenAlexW2016268538
IdiomaEN
Referencias citadas3

We know rather more about the original production of Bartholomew Fair on 31 October 1614, than we do about most productions of the time. The play was written after the failure of Jonson's painstakingly classical tragedy Catiline (Kings Men, 1611), and is a deliberate, but highly ambivalent, adaptation of 'popular' forms. It was put on, not at the fashionable Globe or Blackfriars, but at a new theatre called the Hope, two facts about which are very important: it was modelled On the Swan, which is the one Elizabethan theatre of which we possess a contemporary sketch; and it was designed to be used as a bear-baiting pit at least once every fortnight. Jonson refers to the stage-keeper 'gathering up the broken apples for the bears within' (Induction, 46) and his disdainfully pragmatic attitude to the situation appears at the end of the Induction

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Velocidad de citaciónhistorical
Altamente citadoNo
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