Exhausting the Ears
Aural Discomfort as Epistemological Disruption in British Travel Writing on China, c. 1860–c. 1911
Datos Bibliográficos
| ID | 11944558 |
|---|---|
| Autores | Samuel Cheney (0009-0008-9748-6428, University of Edinburgh, autor de correspondencia) |
| Año | 2025 |
| Volumen | 53 |
| Número | 4 |
| Páginas | 860-888 |
| Fecha de publicación | 2025-04-14 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | The Journal of Imperial & Commonwealth History (JOURNAL) |
| Identificadores de la revista | ISSN: 0308-6534 • E-ISSN: 1743-9329 |
| Editorial | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/03086534.2025.2489006 |
| OpenAlex | W4409410918 |
| Idioma | EN |
| Citas recibidas | 1 |
| Referencias citadas | 48 |
British travellers to late Qing China regularly complained about the discomforting noises they heard across the country. However, despite the prominence of sonic language in travelogues from the period, the impact of sound upon British travellers has remained understudied. While historians have long emphasised vision as the primary sensory modality through which Western travellers projected imperial authority over colonised spaces of empire, this article reinterprets this global encounter between Britain and China as a fully embodied experience rather than an exercise of the eye. It contends that prevailing historiographical assumptions of British imperial knowledge making, in China and elsewhere, become fundamentally disrupted if we attend to the many reports of sound-induced discomfort within the archive of nineteenth-century British travel. In particular, the article argues that the emotive reactions of British travellers to China’s soundscape prohibited them from ever existing as unaffected observers of empire, and also undermined their attempts to represent the country as a passive idyll reminiscent of domestic chinoiserie. Overall, the British experience of aural discomfort in China suggests the ambivalence of these travellers about the possibility of projecting total imperial order over this semi-colonial space
Archaeology · Art · Audiology · China · Literature · Communication · History · Japanese History and Culture · Joseph Conrad and Literature · Medicine · Psychology · Travel Writing and Literature
Noise
Music, Modernity, and the Global Imagination
Downcast Eyes
Habits of Racism
Scents of China
The Powers of Distance
The Cambridge Introduction to Travel Writing
Imperial Eyes
Slumming
Fieldwork in Common Places
The Oxford Handbook of Music Listening in the 19th and 20th Centuries
Time and the Other
Beyond Chinoiserie
Introduction
Listening to China
The Yangtze valley and beyond
Qian Qianyi’s Reflections on Yellow Mountain
A Century of Travels in China
The Rhetoric of Empire
Race and the Senses
"A Truthful Impression of the Country"
Hygienic ModernityMeanings of Health and Disease in Treaty-Port China
Race and the Senses
Aurality
Exploring Victorian travel literature
John Chinaman at Home. Sketches of Men, Manners and Things in China
Origins of sightseeing
Cosmopolitanism, Comparison and Affect
Victorian Soundscapes
Hygienic Modernity
Living alterities
From A View On The World To A Point Of View In It
Bruits de Chine
Deodorizing China
After objectivity
| Obras citantes distintas | 1 |
|---|---|
| Citas por año | 1 |
| Intervalo de citas | 2026 - 2026 (1) |
| Velocidad de citación | current |
| Altamente citado | No |
| Tipos de cita | Neutras: 1 |