Hannibal and the paradox of disgust
Datos Bibliográficos
| ID | 12342789 |
|---|---|
| Autores | A N García-Martínez (0000-0002-4017-5791, Universidad de Navarra, autor de correspondencia) |
| Año | 2019 |
| Volumen | 33 |
| Número | 5 |
| Páginas | 554-564 |
| Fecha de publicación | 2019-07-14 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Continuum (JOURNAL) |
| Identificadores de la revista | ISSN: 1030-4312 • E-ISSN: 1469-3666 |
| Editorial | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/10304312.2019.1641180 |
| OpenAlex | W2959903790 |
| Idioma | EN |
| Citas recibidas | 1 |
| Referencias citadas | 16 |
Hannibal (NBC 2013–15) is a bloody and violent television series that also displays an embellished and self-consciously expressive visual style. This article explores the disparity between aesthetic pleasure and repugnance, an issue that scholars working in aesthetic theory have dubbed the ‘paradox of disgust’. It begins by focusing on the specific qualities of disgust among the so-called ‘negative’ emotions in art, and develops this analysis through a close reading of significant scenes in Hannibal. Drawing on Strohl’s ‘hedonic ambivalence’, the article argues that Hannibal intensifies its aesthetic value precisely by visually boosting the paradox of disgust, maximizing both aversion and pleasure simultaneously. However, the article also shows that Hannibal attempts to circumvent the paradox of disgust by prompting an ‘aestheticist turn’, embodied in the experience of protagonist Will Graham
Aesthetics · Ambivalence · Anger · Art · Cognitive psychology · Disgust · Embodied cognition · Epistemology · Pleasure · Regret · Taste · Computer Science · Ethics, Aesthetics, and Art · Humor Studies and Applications · Philosophy · Psychology · Psychology of Moral and Emotional Judgment · Social Psychology
| Obras citantes distintas | 1 |
|---|---|
| Citas por año | 0,2 |
| Intervalo de citas | 2021 - 2021 (1) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 1 |