Carrying the private in public
Language and performance in Susan Jahoda’s Flight Patterns
Datos Bibliográficos
| ID | 12370102 |
|---|---|
| Autores | Michael Y Bennett (0000-0002-1311-0669, University of Wisconsin–Whitewater, autor de correspondencia) |
| Año | 2016 |
| Volumen | 36 |
| Número | 2-3 |
| Páginas | 137-148 |
| Fecha de publicación | 2016-07-02 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Text and Performance Quarterly (JOURNAL) |
| Identificadores de la revista | ISSN: 1046-2937 • E-ISSN: 1479-5760 |
| Editorial | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/10462937.2016.1199892 |
| OpenAlex | W2528376994 |
| Idioma | EN |
| Referencias citadas | 7 |
Blurring the lines between public and private language by displaying a series of hand-written letters and envelopes sent through the mail, Susan Jahoda’s Flight Patterns questions if the demarcation between public and private language is ever really possible. As a matter of central importance to studies of performance and rhetoric, ultimately, Jahoda suggests that performances of the self are constructed by language that is unavoidably, and simultaneously, public and private. The act of addressing is a rhetorical performance, or a performance of rhetoric, for the ways in which language both demarcates and blurs the boundaries of self and other
Linguistics · Rhetoric · Rhetorical question · Sociology · Discourse Analysis in Language Studies · Media, Communication, and Education · Philosophy · Rhetoric and Communication Studies
| Velocidad de citación | historical |
|---|---|
| Altamente citado | No |