(Four)casting Detroit
Datos Bibliográficos
| ID | 12370133 |
|---|---|
| Autores | Amy K Kilgard (Deakin University, autor de correspondencia) |
| Año | 2014 |
| Volumen | 35 |
| Número | 1 |
| Páginas | 76-79 |
| Fecha de publicación | 2014-11-20 |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Text and Performance Quarterly (JOURNAL) |
| Identificadores de la revista | ISSN: 1046-2937 • E-ISSN: 1479-5760 |
| Editorial | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/10462937.2014.975273 |
| OpenAlex | W2002141477 |
| Idioma | EN |
| Referencias citadas | 2 |
Casting in the theatre usually refers to assigning actors roles. However, in this response to Mercilee M. Jenkins's play Spirit of Detroit, I consider casting in several other senses—to mold, to throw out and gather back in, to look forward and backward. I discuss this play as a mutable and living thing, and reflect on the processes and collaborations that have made it what it is
Aesthetics · Art · Casting · Sociology · Visual arts · Art Therapy and Mental Health · Theater, Performance, and Music History · Theatre and Performance Studies
| Altamente citado | No |
|---|