European Evidence for the Representation of the Woolly Rhinoceros in Art

Datos Bibliográficos

ID12371013
AutoresKamilla Pawłowska (0000-0002-4103-4501, Adam Mickiewicz University in Poznań, autor de correspondencia), Zofia Pogoda (Nicolaus Copernicus University), Diego Jaime Alvarez Lao (Universidad de Oviedo), Codrea Vlad (Babeș-Bolyai University), Thijs Van Kolfschoten (0000-0003-1716-3394, Leiden University), Kajetan Dedła (Adam Mickiewicz University in Poznań), R Croitor (0000-0003-4224-1251, Moldova State University)
Año2026
Volumen36
Número1
Páginas207-220
Fecha de publicación2026-01-01
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaInternational Journal of Osteoarchaeology (JOURNAL)
Identificadores de la revistaISSN: 1047-482X • E-ISSN: 1099-1212
EditorialWiley (PUBLISHER • GB)
DOI10.1002/oa.70061
OpenAlexW7124311403
IdiomaEN
Referencias citadas47

In this work, we focus on art featuring woolly rhinoceroses from the Eurasian continent. We will provide an overview of cave paintings, engravings, and other evidence of art in terms of (i) geographic scope, (ii) chronology, (iii) representation, (iv) associated fauna, (v) material and technique used, and (vi) creator. Since rhinoceros and birds presently constitute a shared landscape, we examined the links between fossil rhinos and birds and other animals in the evidence of Paleolithic art. We found that rhinoceroses make a minor contribution (2.6%) to Paleolithic art. Evidence comes from France, Belgium, Czech Republic, Germany, Slovakia, Spain, Romania, and Russia and is attributed to the Aurignacian, Gravettian, Solutrean, and Magdalenian cultures. The animal is usually shown alone or co‐occurring with woolly mammoths and other fauna. The depictions are not juxtaposed with birds, contrary to the present state of affairs. This is due to the presence of fur on the rhinoceros and the climatic demands of birds. The rhinoceroses are shown superficially as an outline and in detail with a hump, with a black stripe, bleeding, or fighting one. These paintings woolly rhinoceroses can be linked to modern humans who used charcoal, ochre and manganese oxides to represent them in the artworks. Engravings of woolly rhinoceroses also occur on mobile objects such as reindeer antlers and rock slabs

Cave · Cave painting · Czech · Magdalenian · Rhinoceros · Upper Paleolithic · Archaeology and ancient environmental studies · Archaeology and Rock Art Studies · Pleistocene-Era Hominins and Archaeology