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Of Ghosts and Gangsters

Capitalist Cultural Production and the H ong K ong Film Industry

Datos Bibliográficos

ID12409727
AutoresSylvia Martins (0000-0002-4985-2699, autor de correspondencia)
Año2012
Volumen28
Número1
Páginas32-49
Fecha de publicación2012-05-01
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaVisual Anthropology Review (JOURNAL)
Identificadores de la revistaISSN: 1058-7187 • E-ISSN: 1548-7458
EditorialWiley (PUBLISHER • GB)
DOI10.1111/j.1548-7458.2012.01109.x
OpenAlexW1924440080
IdiomaEN
Citas recibidas7
Referencias citadas40

This article contends that ghosts and gangsters are not merely popular genres in the H ong K ong film industry; they are also legitimate participants in the film production process itself, influencing financial, creative, and logistical resources and decisions. Film personnel's accounts of the possession and protection of their bodies by members of the cosmological and criminal underworlds, particularly in location filming in graveyards and gangster turf as well as ritual payments and appeasements made to the underworlds, reveal the diverse risks and cultural practices in film production. This article argues that despite the rationalization of commercial filmmaking, “enchantments” in the form of religion and feudalistic crime linger within capitalist production

Art history · Business · Economics · Economy · Film industry · Filmmaking · Media studies · Movie theater · Payment · Political science · Possession (linguistics · Production (economics · Rationalization (economics · Sociology · Cinema and Media Studies · History · Hong Kong and Taiwan Politics · Law · Southeast Asian Sociopolitical Studies · Finance

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Obras citantes distintas7
Citas por año0,5
Intervalo de citas2012 - 2021 (10)
Velocidad de citaciónhistorical
Altamente citadoNo
Tipos de citaNeutras: 7
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