Acceptance and perception of multimodal expression of Israeli-Jewish culture in China
‘The Realist’ comic strip as a case study
Datos Bibliográficos
| ID | 12540407 |
|---|---|
| Autores | Xiu Gao (0000-0002-6502-2863, Jiangsu University of Science and Technology, autor de correspondencia), Danielle Gurevitch (0000-0001-7044-2371, Bar-Ilan University) |
| Año | 2023 |
| Volumen | 29 |
| Número | 6 |
| Páginas | 1220-1242 |
| Fecha de publicación | 2023-11-02 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Israel Affairs (JOURNAL) |
| Identificadores de la revista | ISSN: 1353-7121 • E-ISSN: 1743-9086 |
| Editorial | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/13537121.2023.2270234 |
| OpenAlex | W4388445147 |
| Idioma | EN |
| Referencias citadas | 27 |
This article analyzes the acceptance and perception of Israeli-Jewish culture in China through Chinese translation of 'The Realist'. It points that most topics Chinese readers could interpret are those shared as general common sense or used in common terminology in all semiotic modes. However, the Israeli-Jewish tradition, literacy and specific practices remained unrecognised for the most part. It argues that the translator's mediation of comic texts is grounded in processes of multimodal analysis that facilitates comprehension of whether and how a message is understood in a certain context. The translator has the task of making up the target readers' contextual deficiency
Art · China · Comics · Comprehension · Context (archaeology · Epistemology · Expression (computer science · Judaism · Linguistics · Literacy · Literature · Mediation · Pedagogy · Perception · Semiotics · Social science · Sociology · Terminology · Comics and Graphic Narratives · Computer Science · History · Philosophy · Psychology · Swearing, Euphemism, Multilingualism · Translation Studies and Practices
Introducing Social Semiotics
Grundlegung einer allgemeinen Translationstheorie
Modernity at large
Translation within the margin
Cultural Turns
The reception of contemporary Israeli literature in China
Silence in a 9-panel grid
Performing multimodality
Loss’ and ‘gain’ in comics
Multimodality, translation and comics
Illustrations and Ambiguity in Eighteen Illustrated Translations of Hans Christian Andersen’s “The Steadfast Tin Soldier”1
Thump, Whizz, Poom
From Thumbelina to Winnie-the-Pooh
Where the Wild Things Are
Yeah, that's it
Book Illustration as (Intersemiotic) Translation
Literary History as a Challenge to Literary Theory
| Velocidad de citación | historical |
|---|---|
| Altamente citado | No |