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Princesa Brambilla - imagens/texto

Datos Bibliográficos

ID12640226
AutoresMaria Aparecida Barbosa (0000-0002-6494-6757, Universidade Federal de Santa Catarina, autor de correspondencia)
Año2015
Volumen36
Número1
Páginas79-79
Fecha de publicación2015-08-15
Open AccessSí
TipoARTICLE
RevistaCadernos de Tradução (JOURNAL)
Identificadores de la revistaISSN: 1414-526X • E-ISSN: 2175-7968
EditorialUniversidade Federal de Santa Catarina (UFSC) (PUBLISHER)
DOI10.5007/2175-7968.2016v36n1p79
OpenAlexW2298720859
IdiomaEN

Read the illustrated literary text is simultaneously think pictures and words. This articulation between the written text and pictures adds potential, expands and becomes complex. Coincides with nowadays discussions on Giorgio Agamben's "contemporary" that add to what adheres to respectively time the displacement and the distance needed to understand it, shakes linear notions of historical chronology. Somehow the coincidence is related to the current interest in the concept of "Nachleben" (survival), which assumes the images of the past ransom, postulated by the art historian Aby Warburg in a research on ancient art of motion characteristics in Renaissance pictures Botticelli's. For the translation of the Princesa Brambilla – um capriccio segundo Jakob Callot, de E. T. A. Hoffmann, com 8 gravuras cunhadas a partir de moldes originais de Callot (1820) to Portuguese such discussions were fundamental, as I try to present in this article

Articulation (sociology · Ransom · Cultural, Media, and Literary Studies · Cultural, Social, and Media Studies · Linguistics and Education Research

Altamente citadoNo

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