Social media, prosumption, and dispositives
New mechanisms of the construction of subjectivity
Datos Bibliográficos
| ID | 12698337 |
|---|---|
| Autores | Melita Zajc (0000-0002-2091-3179, University of Maribor, Slovenia, autor de correspondencia) |
| Año | 2013 |
| Volumen | 15 |
| Número | 1 |
| Páginas | 28-47 |
| Fecha de publicación | 2013-07-04 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Journal of Consumer Culture (JOURNAL) |
| Identificadores de la revista | ISSN: 1469-5405 • E-ISSN: 1741-2900 |
| Editorial | SAGE Publishing (PUBLISHER • US) |
| DOI | 10.1177/1469540513493201 |
| OpenAlex | W2079527278 |
| Idioma | EN |
| Citas recibidas | 24 |
| Referencias citadas | 27 |
This article addresses the issue of social media from the perspective of prosumption. The term social media has recently replaced the descriptive discourse on new media and communication technologies. This change implies that, from among the various uses of new media and communication technologies, one use has prevailed. There is no consensus about the exact meaning of the term social media and several scholars still prefer the descriptive approach. The concept of prosumption, which claims that with the rise of digital technologies the barriers separating production from consumption have disappeared, might explain the distinctiveness of social media. This article explores this idea and expectations about the social potential of merging production and consumption in social media by focusing on the issue of audience participation. First, it traces various understandings of agency and subjectivity in the historical conceptions of the audience within media and communication studies. Second, it argues for a conceptual approach to the issues of agency and subjectivity. It proposes the concept of the dispositive as that which simultaneously addresses historical and conceptual issues, presents its implications for the interpretation of social media, and argues for the suitability of the theory of the dispositive for conceptualizing the social potentials of social media
Aesthetics · Agency (philosophy · Consumption (sociology · Epistemology · Identity (music · Interpretation (philosophy · Meaning (existential · Media studies · New media · Optimal distinctiveness theory · Political science · Social media · Social science · Sociology · Subjectivity · Computer Science · Digital Games and Media · Gender, Feminism, and Media · Psychology · Social Media and Politics · Social Psychology
Hong Kong independent political documentary under the regulating dispositif
Is TikTok News Less “News-Like”? Investigating News Organizations’ Stories on TikTok and Their Alignment/ Divergence with Traditional News Values, Norms, Routines, and Roles
Discussion and mediation of social outrage on Twitter
The cookie dispositif
The AI-mediated gamification of affective labor
El debate urbano en Latinoamérica
Groundhog day? Nietzsche, Deleuze and the eternal return of prosumption in lifelong learning
Technologised consumer culture
Evolution of digital activism on social media
Affluent and Tender Online”
Unearthing extractive subjects
Discussion and mediation of social outrage on Twitter
Practicing energy prosumption
Remaking the #Syllabus
Fashioning the feminine self in “prosumer capitalism”
Poetic prosumption of animation, comic, game and novel in a post-socialist China
The omnivore’s neighborhood? Online restaurant reviews, race, and gentrification
Sport and prosumption
Towards typologies of virtual maltreatment
The Social Media Dispositive and Monetization of User-Generated Content
Prosumption, Networks and Value during a Global Pandemic
Disconnected
Youth studies in transition
The Geography of Telework in Latin America
The Self and Its Pleasures
Psychoanalysis and Cinema
The Virtual Community
When Atoms Meet Bits
The McDonaldization of society
Convergence Culture
Alone together
Contextualising Author-Audience Convergences
Rethinking Convergence/Culture
The Order of Things
The Language of New Media
Consumption, Prosumption and Participatory Web Cultures
Love it. Buy it. Sell it’
Putting Consumers to Work
Profile as promise
YouTube
Audience labor in the new media environment
Media Convergence
I tweet honestly, I tweet passionately
What is a Dispositive
Welcome to Me-Mart
The Imaginary Signifier
Virtual Bodies and Flickering Signifiers
Prosuming Identity
On the Slope Is on the Screen
| Obras citantes distintas | 24 |
|---|---|
| Citas por año | 2,18 |
| Intervalo de citas | 2015 - 2026 (12) |
| Velocidad de citación | current |
| Altamente citado | No |
| Tipos de cita | Neutras: 24 |