Film-making as creative praxis

Capturing the intimate side of interculturality

Datos Bibliográficos

ID12701894
AutoresJudith Rifeser (0000-0001-8789-5983, University of London, autor de correspondencia), Cristina Solé (0000-0002-6104-8345, Goldsmiths University of London, autor de correspondencia), Cristina Ros i Solé (0000-0001-5041-5456)
Año2022
Volumen22
Número2
Páginas221-234
Fecha de publicación2022-01-31
Open AccessSí
TipoARTICLE
RevistaLanguage and Intercultural Communication (JOURNAL)
Identificadores de la revistaISSN: 1470-8477 • E-ISSN: 1747-759X
EditorialRoutledge (PUBLISHER • GB)
DOI10.1080/14708477.2021.2021224
OpenAlexW4210479873
IdiomaEN
Citas recibidas4
Referencias citadas36

This article employs creative film-making to explore the doing of the intimate and personal aspects of the intercultural encounter. It offers an alternative paradigm for the use of visual methods for ethnographic and auto-ethnographic research. Drawing on phenomenological and auto-ethnographic perspectives, it investigates the lived, subjective experience through film-making praxis via excerpts of the experimental audio-visual essay A caressing dialogical encounter (Rifeser, UK, 2019). By using “pensive-creative praxis” (Rifeser, 2020a), a parallel can be established with an understanding of the intercultural encounter in its all its multi-dimensional and multi-layered complexity (Ros i Solé, forthcoming, 2022)

Aesthetics · Art · Dialogical self · Epistemology · Ethnography · Intercultural communication · Interculturality · Pedagogy · Praxis · Sociology · Anthropology · Art Education and Development · Participatory Visual Research Methods · Philosophy · Psychology · Social Psychology · Visual Culture and Art Theory