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Identity Becomes an Issue

European Literature in the 1920s

Datos Bibliográficos

ID12740660
AutoresGerald N Izenberg (Washington University in St. Louis, autor de correspondencia)
Año2008
Volumen5
Número2
Páginas279-307
Fecha de publicación2008-06-27
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaModern Intellectual History (JOURNAL)
Identificadores de la revistaISSN: 1479-2443 • E-ISSN: 1479-2451
EditorialCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s1479244308001650
OpenAlexW2002579742
IdiomaEN
Citas recibidas1
Referencias citadas10

The meaning of “identity” in its contemporary sense of “who—or what—I am” is of relatively recent vintage. It became current as a concept of individual and group psychology only through Erik Erikson's work in the 1950s and its extension to collectivities in the social and political upheavals of the 1960s. But an important strand of European literature began calling the possibility of fixed self-definition into question in the 1920s, occasionally even deploying the word “identity” explicitly. In the work of Hermann Hesse, Virginia Woolf, Luigi Pirandello, Robert Musil, Hermann Broch and Franz Kafka, the dualistic representation of selfhood prevalent in much of prewar modernism gave way to the image of an infinitely fragmented and ontologically unfounded self not exhausted by any, or even the sum, of its many possible designations. For these authors, the events and aftermath of World War One desacralized a whole range of abstract collective identities—national or imperial citizen, cultured European, gebildete bourgeois, manly male, the spiritual “eternal feminine”—which had furnished the most deeply rooted and honored individual identities of prewar Europe. As a consequence, identity itself was undermined. The paradox of the birth of identity is that it was discovered in the negation of its very possibility

Aesthetics · Art · Bourgeoisie · Epistemology · Identity (music · Linguistics · Literature · Meaning (existential · Modernism (music · Negation · Political science · Politics · Representation (politics · Sociology · Central European national history · Eastern European Communism and Reforms · European Cultural and National Identity · History · Law · Philosophy

  • Jazz, the Wound

    Open Access•Eric Oberle•Modern Intellectual History•2015

  • The Identities of persons

    Amelie Rorty•The Identities of persons•1976

  • Sites of Memory, Sites of Mourning

    Open Access•Jay Winter•Sites of Memory, Sites of Mourning•1998

  • The Idea of the Self

    Open Access•Jerrold Seigel, Jerrold E Seigel•Idea of the Self•2005

  • Robert Musil and the Crisis of European Culture, 1880-1942

    Peter West Nutting, David S Luft•The German Quarterly•1981

  • The Gender of Modernity

    Rita Felski•Gender of Modernity•1995

  • Rites of Spring

    Arden Bucholz, Modris Eksteins•German Studies Review•1990

  • Identities of Persons

    Amelie Oksenberg Rorty•Identities of Persons•1976

  • Sources of the self

    Charles Taylor•Sources of the Self•1989

  • Identifying Identity

    Philip Gleason•Journal of American History•1983

  • The Great War and Modern Memory

    Paul Fussell•The SHAFR Guide Online•2017

Obras citantes distintas1
Citas por año0,09
Intervalo de citas2015 - 2015 (1)
Velocidad de citaciónhistorical
Altamente citadoNo
Tipos de citaNeutras: 1

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