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Contesting Silence

The Ban on Drumming and the Musical Politics of Pentacostalism in Ghana

Datos Bibliográficos

ID12766533
AutoresR Van Dijk (0000-0003-1388-4733, African Studies Centre, autor de correspondencia)
Año2001
Volumen4
Número1
Páginas31-64
Fecha de publicación2001-01-01
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaGhana Studies (JOURNAL)
Identificadores de la revistaISSN: 1536-5514 • E-ISSN: 2333-7168
EditorialUniversity of Wisconsin Press (PUBLISHER • US)
DOI10.3368/gs.4.1.31
OpenAlexW4321643145
IdiomaEN
Citas recibidas29
Referencias citadas21

The period of Ghana’s Fourth Republic has been characterized by the unprecedented growth of Pentecostal churches, particularly in the urban centers of the country. Many scholars have noted that Pentecostalism, as it has manifested itself in Ghana and a number of other former colonies, addresses

Aesthetics · Art · Ethnology · Period (music · Political science · Silence · Sociology · The Republic · Theology · Anthropological Studies and Insights · Gender Studies · History · Pentecostalism and Christianity Studies · Philosophy · Religion, Society, and Development

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Obras citantes distintas29
Citas por año1,38
Intervalo de citas2005 - 2025 (21)
Velocidad de citaciónrecent
Altamente citadoNo
Tipos de citaNeutras: 29
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