Hollywood, Black Animation, and the Problem of Representation in Little Ol’ Bosko and The Princess and the Frog
Datos Bibliográficos
| ID | 12813481 |
|---|---|
| Autores | Jennifer Lynde Barker (East Tennessee State University, autor de correspondencia) |
| Año | 2010 |
| Volumen | 14 |
| Número | 4 |
| Páginas | 482-498 |
| Fecha de publicación | 2010-07-12 |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Journal of African American Studies (JOURNAL) |
| Identificadores de la revista | ISSN: 1559-1646 • E-ISSN: 1936-4741 |
| Editorial | Springer Science+Business Media (PUBLISHER • DE) |
| DOI | 10.1007/s12111-010-9136-z |
| OpenAlex | W2124891051 |
| Idioma | EN |
| Citas recibidas | 8 |
| Referencias citadas | 9 |
Art · Art history · Hollywood · Political science · Politics · Representation (politics · Sociology · White (mutation · Gender, Feminism, and Media · History · Law · Media Studies and Communication · Media, Gender, and Advertising
Disney in Black and White
Mickey’s main squeeze
No Face, No Race? Racial Politics of Voice Actor Casting in Popular Animated Films 1
Getting the Final Girl Out of Get Out
Scripting the Way for the 21st-Century Disney Princess in The Princess and the Frog
Traded it off for that Voodoo Thing”
On the Origin of White Hollywood
White Violence and the Pornography of Miscegenation in Disney’s Beauty and the Beast (2017)
| Citas por año | 0,8 |
|---|---|
| Intervalo de citas | 2016 - 2025 (10) |
| Altamente citado | No |