Rich flames and hired tears’

Sugar, sub-imperial agents and the Cuban phoenix of empire

Datos Bibliográficos

ID12876708
AutoresJonathan Curry‐machado (London Metropolitan University, autor de correspondencia)
Año2009
Volumen4
Número1
Páginas33-56
Fecha de publicación2009-03-01
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaJournal of Global History (JOURNAL)
Identificadores de la revistaISSN: 1740-0228 • E-ISSN: 1740-0236
EditorialCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s1740022809002940
OpenAlexW2018605577
IdiomaEN
Citas recibidas8
Referencias citadas45

This paper analyses the importation of foreign steam technology into Cuba in the course of the nineteenth century, and the experience of the migrant workers employed to operate it, in order to focus not on Cuba as an isolatable entity, but existing in the context of transnational networks that were involving the island in processes of globalization. This was, at the outset, a ‘sub-imperial’ globalization, operating independently, and implying liberation, from empire. The search for new technologies to enable improvements in sugar production necessarily took the Creole elite beyond the restricted possibilities of the Spanish empire to the industrial centres of the United States, Britain, and France. Such new links helped fuel the emergence of an independent Cuban identity; however, the same globalizing tendencies that were eroding the Spanish empire led Cuba into new forms of imperial domination. The increasing expense of the new steam technology necessitated a growing dependence upon investment from foreign merchant banks, which gradually assumed control over much of the island's production and trade. The same migrant engineers who had begun by assisting Cuban planters took on the role of agents for foreign companies. Rather than contributing their skills, as one more group of migrants in a nation formed out of multiple migrations, these engineers asserted their foreign identity and guarded their privileged position. They came to be seen as symbolic of the process by which Cuba shook off the Spanish yoke only to replace it with another

Aesthetics · Ancient history · Archaeology · Art · Context (archaeology · Creole language · Economic history · Economics · Economy · Elite · Empire · Globalization · Identity (music · Imperial unit system · Political science · Politics · Caribbean history, culture, and politics · Colonialism, slavery, and trade · Cuban History and Society · History · Law