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Outlandish Love’

Marriage and Immigration in City Comedies

Datos Bibliográficos

ID12880366
AutoresScott Oldenburg (0000-0002-0996-6181, Tulane University, autor de correspondencia)
Año2009
Volumen7
Número1
Páginas16-32
Fecha de publicación2009-11-18
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaLiterature Compass (JOURNAL)
Identificadores de la revistaISSN: 1741-4113 • E-ISSN: 1741-4113
EditorialWiley (PUBLISHER • GB)
DOI10.1111/j.1741-4113.2009.00663.x
OpenAlexW1988059469
IdiomaEN
Referencias citadas21

This article questions the orthodox reading of early English city comedies that such plays exhibit intense national or proto‐national fervor, especially articulated in terms of anti‐alien sentiment. A close examination of The Dutch Courtesan and Englishmen for My Money shows that English playgoers were keen to see their cosmopolitan city staged. Moreover, these plays suggest that when it came to European immigrants to England, status and wealth were far more important to the English than considerations of birthplace and ethnicity

Alien · Archaeology · Art · Census · Ethnic group · Immigration · Literature · Political science · Reading (process · Sociology · Cultural History and Identity Formation · Demography · Financial Crisis of the 21st Century · Gender Studies · History · Law · Philippine History and Culture · Psychology

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Velocidad de citaciónhistorical
Altamente citadoNo
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