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Spirituality and Resistance

Ursula Le Guin’s The Word for World is Forest and the Film Avatar

Datos Bibliográficos

ID12901230
AutoresDavid Landis Barnhill (University of Wisconsin–Oshkosh, autor de correspondencia)
Año2011
Volumen4
Número4
Páginas478-498
Fecha de publicación2011-01-01
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaJournal for the Study of Religion Nature and Culture (JOURNAL)
Identificadores de la revistaISSN: 1749-4907 • E-ISSN: 1749-4915
EditorialEquinox Publishing (PUBLISHER • GB)
DOI10.1558/jsrnc.v4i4.478
OpenAlexW2321067027
IdiomaEN

Avatar shares key narrative features with Ursula Le Guin’s 1972 novel The Word for World is Forest, including a depleted earth, exploitive resource extraction on another planet, and a successful revolt by the natives. Natives live in harmony with a natural world that is considered sacred and has both animistic and Gaian properties. Both works present a radical critique of modern Western society. There also are fundamental differences: The Word for World is Forest does not portray a Terran leading the revolt or joining the indigenous society, there is no romance between a Terran and a native, and the violence by the natives is unheroic and culturally damaging. While The Word for World is Forest is a dystopian novel, Avatar is apocalyptic. Both also have utopian elements, though Avatar is more optimistic than The Word for World is Forest, with its more nuanced view of our political situation

Aesthetics · Art · Avatar · Dystopia · Harmony (color · Indigenous · Literature · Narrative · Political science · Politics · Romance · Sociology · Spirituality · Visual arts · History · Law · Space Science and Extraterrestrial Life · Themes in Literature Analysis · Utopian, Dystopian, and Speculative Fiction · Ecology

Velocidad de citaciónhistorical
Altamente citadoNo

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