The quest for Holocaust memory in Polish films, 2012–2016
Datos Bibliográficos
| ID | 12904199 |
|---|---|
| Autores | Phyllis Lassner (0000-0001-6390-8313, Northwestern University, autor de correspondencia) |
| Año | 2019 |
| Volumen | 27 |
| Número | 2 |
| Páginas | 201-217 |
| Fecha de publicación | 2019-08-09 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Holocaust Studies (JOURNAL) |
| Identificadores de la revista | ISSN: 1750-4902 • E-ISSN: 2048-4887 |
| Editorial | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/17504902.2019.1637493 |
| OpenAlex | W2968387288 |
| Idioma | EN |
| Citas recibidas | 3 |
| Referencias citadas | 20 |
Fantasies of Jews returning to Poland after the Holocaust have become a staple of post-Communist Polish cultural expression. Recent Polish films, Aftermath (2012), Ida (2013), and Demon (2015) represent Polish Holocaust memory through Expressionist cinematic techniques, including spectral figures and non-realistic lighting and camera angles. This essay examines how Jewish ghosts excavate suppressed Holocaust knowledge and the resurgence of anti-Semitism, forming a post-Holocaust Polish critical exegesis. These films defy redemptive resolutions to questions about Polish-Jewish historical and ethical relationships during the Holocaust, Polish Holocaust memory, second and third generation Polish survivors, and the absent presence of Poland's slaughtered Jews
Political science · Psychoanalysis · The Holocaust · Eastern European Communism and Reforms · Law · Memory, Trauma, and Commemoration · Polish-Jewish Holocaust Memory Studies · Psychology
| Obras citantes distintas | 3 |
|---|---|
| Citas por año | 0,6 |
| Intervalo de citas | 2021 - 2026 (6) |
| Velocidad de citación | current |
| Altamente citado | No |
| Tipos de cita | Neutras: 3 |