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The Village Hotel

Aesthetic Formations and the Sacred Landscape in Tamilnadu

Datos Bibliográficos

ID12908321
AutoresSowparnika Balaswaminathan (0000-0003-2568-8000, Concordia University, autor de correspondencia)
Año2025
Volumen19
Número2
Páginas226-244
Fecha de publicación2025-09-24
Open AccessNo
TipoARTICLE
RevistaReligions of South Asia (JOURNAL)
Identificadores de la revistaISSN: 1751-2689 • E-ISSN: 1751-2697
EditorialEquinox Publishing (PUBLISHER • GB)
DOI10.1558/rosa.34059
OpenAlexW4414453487
IdiomaEN

In this paper, I explore the sacred Indian town of Swamimalai, Tamilnadu, as a nexus of religiosity, heritage and commerce by juxtaposing the narratives and aesthetics of these intersecting industries. To unravel these elements, I first examine how Swamimalai is constructed as a sacred place of belonging by two communities who consider it home—temple priests and traditional bronze sculptors. Then I use the case of INDeco Swamimalai, a luxury hotel by the village, to explore how narratives of sacred heritage are appropriated towards aestheticizing a landscape in order to deliver ‘authentic’ spiritual experiences to visitors. The notion of an ‘ideal village’ is instrumental in this production, wherein rural ecology, religiosity and heritage are commingled to furnish a Hindu-coded spiritual milieu. In essence, heritage actors recreate the village as an atemporal idyllic ecological escape from the profane, albeit carefully curated and controlled. As the parameters of this article do not allow for investigating how successful these efforts are, I focus primarily on the service providers

Bronze Age · Cultural heritage · Focus (optics · Narrative · Nexus (standard · Order (exchange · Religiosity · Colonialism, slavery, and trade · Global Maritime and Colonial Histories

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