Vernacular Tantra? An Analysis of the Bengali Text The Garland of Bones

Datos Bibliográficos

ID12908598
AutoresLubomír Ondračka (0000-0001-7706-3059, Charles University, autor de correspondencia)
Año2021
Volumen14
Número1-2
Fecha de publicación2021-05-20
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaReligions of South Asia (JOURNAL)
Identificadores de la revistaISSN: 1751-2689 • E-ISSN: 1751-2697
EditorialEquinox Publishing (PUBLISHER • GB)
DOI10.1558/rosa.19321
OpenAlexW3162753460
IdiomaEN
Referencias citadas19

The paper introduces the Middle Bengali text The Garland of Bones (Haramala) into Western scholarship, and poses the question of what milieu it was produced and transmitted in. The main subject matter of this work is Tantric yoga, particularly the concept of the body. Content analysis reveals that it draws from different known sources (East Indian Kaula Sanskrit Tantras and vernacular works), but also contains a substantial amount of material that seems to be unique. Although the study of this text is full of uncertainties, and several questions related to it remain unanswered, the paper concludes that The Garland of Bones was probably composed in seventeenth-century Chittagong in a vernacular Tantric milieu, which was separate from the mainstream Sanskrit-oriented Kaula tradition. Later, probably in the eighteenth century, the text was adopted by the householder Naths in the eastern parts of undivided Bengal, and became one of their most important scriptures

Ancient history · Art · Bengali · Hinduism · Linguistics · Literature · Mainstream · Modernization theory · Sanskrit · Scholarship · Sociology · Subject (documents · Subject matter · Tantra · Theology · Vedas · Vernacular · Westernization · Asian Geopolitics and Ethnography · Computer Science · History · Indian and Buddhist Studies · Islamic Studies and History · Philosophy