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Domestic Archives of Empire

Photographing Burma and Reconstructing British Imperialism for the Postwar Moment

Datos Bibliográficos

ID12914732
AutoresTom Allbeson (0000-0002-7597-9087, Cardiff University, autor de correspondencia), Claire Gorrara (0000-0003-0732-7666, Cardiff University)
Año2022
Volumen15
Número2
Páginas233-259
Fecha de publicación2022-04-03
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaJournal of War and Culture Studies (JOURNAL)
Identificadores de la revistaISSN: 1752-6272 • E-ISSN: 1752-6280
EditorialRoutledge (PUBLISHER • GB)
DOI10.1080/17526272.2022.2065120
OpenAlexW4280544739
IdiomaEN
Referencias citadas22

This article examines how photography documenting the military campaign in Burma was mobilized in efforts to reconstruct the image and idea of the British Empire at the end of the Second World War. It analyses a selection of popular publications which provided visual instruction for white Anglophone audiences, promoting continuing British imperialism after the Allied victory. These publications were intended to be kept for posterity, acting as ‘domestic archives of empire’ for Anglophone audiences across the globe. Such publications represented the empire at war and in peacetime, supposedly fit for the postwar moment. At the time of their publication, these ‘domestic archives of empire’ exhorted white Anglophone readers to view the British Empire as embodying a liberal and tolerant mission. Today, they offer insights into a vernacular history of empire on the verge of fragmentation, presaging the challenges of reconstruction and decolonization and the development of imperial nostalgia

Ancient history · Archaeology · Art · British Empire · Colonialism · Decolonization · Empire · Globe · Political science · Politics · Victory · Visual arts · Visual culture · Australian History and Society · Colonial History and Postcolonial Studies · History · Law · World Wars: History, Literature, and Impact

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Velocidad de citaciónhistorical
Altamente citadoNo
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