Compton Mackenzie's and Hugh MacDiarmid's Early Broadcasting Critique
Vox , Modernism, and the BBC
Datos Bibliográficos
| ID | 12917712 |
|---|---|
| Autores | Birgit Van Puymbroeck (0000-0002-2018-0796, Ghent University, autor de correspondencia) |
| Año | 2019 |
| Volumen | 14 |
| Número | 4 |
| Páginas | 522-542 |
| Fecha de publicación | 2019-11-01 |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Modernist Cultures (JOURNAL) |
| Identificadores de la revista | ISSN: 1753-8629 • E-ISSN: 2041-1022 |
| Editorial | Edinburgh University Press (PUBLISHER • GB) |
| DOI | 10.3366/mod.2019.0270 |
| OpenAlex | W2905881017 |
| Idioma | EN |
| Referencias citadas | 3 |
This article recovers Compton Mackenzie's little-known radio journal Vox, The Radio Critic and Broadcasting Review for critical consideration, and shows that, through Vox and through their own radio broadcasts, Mackenzie and Hugh MacDiarmid (who acted as managing editor of Vox) advocated regional variety and independence. It builds on recent approaches to regional modernism, demonstrating how Vox resisted a national framework, and reads Mackenzie's critical journal in dialogue with MacDiarmid's modernism
Art · Art history · Literature · Modernism (music · Variety (cybernetics · Computer Science · History · Scottish History and National Identity
| Altamente citado | No |
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