Contemporary Women’s Post-Apocalyptic Fiction

Susan Watkins’s Contemporary Women’s Post-Apocalyptic Fiction is a rich new resource for scholars interested in the ever-expanding corpus of twenty-first-century apocalyptic literature. Watkins writes with authority and incisiveness about more than twenty novels written by British and North American female authors since 2000, placing this fiction in dialogue with a wide array of major theorists, including Stacy Alaimo, Karen Barad, Ernst Bloch, Rosi Braidotti, Dipesh Chakrabarty, Jacques Derrida, Donna Haraway, Luce Irigaray, Frank Kermode, and Slavoj Žižek. Her extensive footnotes show the depth of her knowledge and her careful attention to the larger scholarly conversations taking place about this important contemporary genre. Her claim in this monograph is that the women-authored texts she examines are exemplary of a gendered pattern in which “patriarchy and neo-colonialism are intrinsically implicated in the disasters they envision” (1). Moreover, these female authors, rather than expressing nostalgia for the past, “successfully transform and rewrite the

Aesthetics · Art · Colonialism · Literature · Patriarchy · Sociology · Contemporary Literature and Criticism · Crime and Detective Fiction Studies · Modern American Literature Studies · Gender Studies · History

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