Visual climate change art 2005–2015
Discourse and practice
Datos Bibliográficos
| ID | 12929693 |
|---|---|
| Autores | Joanna Nurmis (University of Maryland, College Park, autor de correspondencia) |
| Año | 2016 |
| Volumen | 7 |
| Número | 4 |
| Páginas | 501-516 |
| Fecha de publicación | 2016-06-03 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Wiley Interdisciplinary Reviews Climate Change (JOURNAL) |
| Identificadores de la revista | ISSN: 1757-7780 • E-ISSN: 1757-7799 |
| Editorial | Wiley (PUBLISHER • GB) |
| DOI | 10.1002/wcc.400 |
| OpenAlex | W2410518447 |
| Idioma | EN |
| Citas recibidas | 31 |
| Referencias citadas | 36 |
During the last decade (2005–2015), artists from all over the world have taken on climate change as the subject matter of their work. Encouraged by activists (most notably Bill McKibben ), artists have appropriated climate change as a social problem and decided that they too, alongside journalists, scientists, and activists, were called upon to engage with this issue. Dozens of noteworthy exhibitions, most notably in Boulder (2007), London and Copenhagen (2009), Paris (2012), New York (2013), Boston (2014), and Melbourne (2015), have placed climate change art on the map as a new and timely genre, displaying relevant artworks both alongside climate negotiations and in dedicated gallery spaces such as the Barbican in London. I argue that much progress has been made in appropriating climate change art as an essentially artistic, rather than propagandistic or activist practice. Although caught in the net of many criticisms, climate change art plays a crucial role in allowing the public to rethink the role of human beings’ everyday activities in irrevocably altering the climate system. In effect, climate change art makes the Anthropocene a cultural reality. However, the review points out a strong artistic trend toward the imagery of apocalyptic sublime, which results in art that may be poignant, but falls out of step with the self‐professed motivations of artists and curators alike. WIREs Clim Change 2016, 7:501–516. doi: 10.1002/wcc.400 This article is categorized under: Trans‐Disciplinary Perspectives > Humanities and the Creative Arts
Aesthetics · Anthropocene · Art · Art history · Climate change · Contemporary art · Environmental ethics · Exhibition · Media studies · Performance art · Sociology · The arts · Visual arts · Climate Change Communication and Perception · Conferences and Exhibitions Management · Environmental Education and Sustainability
Visual art and rethinking the future in anthropogenic climate change debates
Visualizing Hope
Does activist art have the capacity to raise awareness in audiences?—A study on climate change art at the ArtCOP21 event in Paris
Contextualizing information enhances the experience of environmental art
Climate Change Action Through Visual and Performing Arts
Discursive Strategies of Climate Change
Nature Based Solutions on the river environment
Picturing finitude
Artivism for Cleaner Air? An Exploration of the Artistic Representation of “Haze” in Southeast Asia
Mirror or Hammer? News Media Coverage of Climate-Related Art
Climate and Culture
Climate and Culture
From grassroots to global action
Figures in the Mire
Wiley Lecture 2022. Communicating climate change with comics
Artful climate change communication
Greening the society
Do music festival communities address environmental sustainability and how? A Scottish case study
Artistic Imaginations of Climate Change
Transforming the stories we tell about climate change
Effing Awful!”
The future as aesthetic experience
Attitudes towards climate change and scientific stories
Visualizing climate change
Raising the temperature’
Public engagement with climate imagery in a changing digital landscape
The visual politics of corruption
Seasons and the Anthropocene
Carving space’ for comradeship? Para-legal performance and climate justice in the Court for Intergenerational Climate Crimes
Social movements’ transformative climate change communication
About Time! The Abyss of the Future and End(s) of Subjectivity in (Climate) Dystopias
Contemporary aesthetics
Reading Images
Geology of mankind
Mobilizing Artists
Environmental Conflict and the Media
Why We Disagree about Climate Change
Slow Violence and the Environmentalism of the Poor
Art in the Anthropocene
Climate change and visual imagery
Communicating climate change
Seeing Global Warming
Imaging vulnerability
Climate change and journalistic norms
Critical Theory of World Risk Society
Barriers perceived to engaging with climate change among the UK public and their policy implications
Fear Won't Do It
Visuality, mobility and the cosmopolitan
Agency at the Time of the Anthropocene
Ethics, Ecology, and the Future
Representing, Performing and Mitigating Climate Change in Contemporary Art Practice
Better Weather
Representing nature
Cosmopolitan Climates
The Climate of History
| Obras citantes distintas | 31 |
|---|---|
| Citas por año | 3,44 |
| Intervalo de citas | 2017 - 2026 (10) |
| Velocidad de citación | current |
| Altamente citado | No |
| Tipos de cita | Neutras: 30 |