Hacking the Body

Datos Bibliográficos

ID13087655
AutoresLucía Egaña (autor de correspondencia), Miriam Solá
TraductoresTranslated by
Año2016
Volumen3
Número1-2
Páginas74-80
Fecha de publicación2016-05-01
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaTSQ Transgender Studies Quarterly (JOURNAL)
Identificadores de la revistaISSN: 2328-9252 • E-ISSN: 2328-9260
EditorialDuke University Press (PUBLISHER • US)
DOI10.1215/23289252-3334223
OpenAlexW2346641962
IdiomaEN
Citas recibidas11

In this article, the authors address the relationship between artistic production and political activism in Barcelona's transfeminist scene, by reflecting on the first stage of their joint research project, War Machines: Transfeminist Practices of Representation, which maps and interprets the past ten years of transfeminist cultural production there. Transfeminist art practices, the authors argue, offer new strategies that supplement the operational logic of more traditional activisms by also acting in and through creative processes, principally by conceiving the body itself, in relation to technology, as a site for political transformation

Aesthetics · Art · Computer security · Economics · Epistemology · Hacker · Political science · Politics · Production (economics · Relation (database · Representation (politics · Sociology · Computer Science · Digital Games and Media · Gender, Feminism, and Media · Law · Philosophy · Posthumanist Ethics and Activism