Fashion City or Museum of Fashion? Exploring the Mutually Beneficial Relationship between London’s Fashion Industry and Fashion Exhibitions at the Victoria and Albert Museum
Datos Bibliográficos
| ID | 13100511 |
|---|---|
| Autores | Bethan Bide (0000-0002-5531-7190, University of Leeds, autor de correspondencia) |
| Año | 2021 |
| Volumen | 7 |
| Número | 1 |
| Páginas | 217-234 |
| Fecha de publicación | 2021-06-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | GeoHumanities (JOURNAL) |
| Identificadores de la revista | ISSN: 2373-5678 • E-ISSN: 2373-566X |
| Editorial | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/2373566x.2021.1923405 |
| OpenAlex | W3174244966 |
| Idioma | EN |
| Citas recibidas | 1 |
| Referencias citadas | 35 |
As the commodity chains supporting the fashion industry have become ever more global and complex, so the work of constructing and maintaining the reputations of fashion cities such as London has also needed to evolve. Museums have played a key role in this process through their dissemination of discursive narratives about the places, spaces, and people that constitute London’s symbolic fashion capital. Taking the Victoria and Albert Museum as a primary case study, this paper explores how changes to the networks and processes of the fashion city in the decades following the Second World War were connected to the growth of fashion within the museum. Looking at two key exhibitions: Britain Can Make It (1946) and Fashion: An Anthology (1971), it traces how the museum responded to processes of deindustrialization and cultural change by bringing the city’s commercial fashion cultures into the museum space, resulting in the museum becoming an important site for the fashion city. Finally, it asks whether the legacy of this process has resulted in increasingly narrow and homogenous fashion exhibitions that have the potential to harm London’s fashionable reputation by excluding many of the diverse networks and places that make the city’s fashion culture unique
Archaeology · Art · Business · Clothing · Commodity · Deindustrialization · Exhibition · Fashion design · Fashion industry · Media studies · Narrative · Reputation · Social science · Sociology · Visual arts · Art, Politics, and Modernism · Cultural Industries and Urban Development · Fashion and Cultural Textiles · History · Museology
Celebrity Culture
Unpicking the fashion city
Cultural Industries and the Production of Culture
British Fashion Design
To profit or not to profit the commercial transformation of the nonprofit sector
The power structure of the fashion industry
Fashion as a System
London Leads the World
Who Gives a Frock?” Valerie D. Mendes, Jean Muir and the Building of the National Collection at the Victoria and Albert Museum
Towards a new epistemology of the urban
Material Culture
Colonialism and the Object
Consuming Canada
More than window dressing
Establishing Dress History
Selling Avant-garde
Fashioning a Global City
Museum finances
The Ascendance of New York Fashion
Building the Museum
| Obras citantes distintas | 1 |
|---|---|
| Citas por año | 0,5 |
| Intervalo de citas | 2024 - 2024 (1) |
| Velocidad de citación | recent |
| Altamente citado | No |
| Tipos de cita | Neutras: 1 |