Harry K. Shigeta of Chicago
Datos Bibliográficos
| ID | 14694246 |
|---|---|
| Autores | Christian A Peterson (autor de correspondencia) |
| Año | 1998 |
| Volumen | 22 |
| Número | 2 |
| Páginas | 183-198 |
| Fecha de publicación | 1998-06-01 |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | History of Photography (JOURNAL) |
| Identificadores de la revista | ISSN: 0308-7298 • E-ISSN: 2150-7295 |
| Editorial | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/03087298.1998.10443875 |
| OpenAlex | W2035957022 |
| Idioma | EN |
| Citas recibidas | 2 |
Until about 1910, pictorial and professional photographers produced strikingly different work and interacted very little with one another. Most pictorialists strove to create atmospheric, mysterious and emotionally charged images that often resembled other works of art. They hand-crafted photographs that were sofdy focused, low in tonalities and printed in such exotic processes as gum-bichromate, platinum or photogravure. Motivated by pure self-expression, pictorialists made every effort to prove that their pictures were fine art, looking down on utilitarian photographs as crass and soulless
Art · Art history · Visual arts · Photography and Visual Culture
| Citas por año | 0,2 |
|---|---|
| Intervalo de citas | 2016 - 2024 (9) |
| Altamente citado | No |