Die Dinge stets sich selbst folgen lassen‘ – Klang und Perzeption bei Giacinto Scelsi
Datos Bibliográficos
| ID | 14780447 |
|---|---|
| Autores | Elfride Reissig (University of Music and Performing Arts Graz, autor de correspondencia) |
| Año | 2015 |
| Volumen | 50 |
| Número | 2 |
| Páginas | 53-62 |
| Fecha de publicación | 2015-04-03 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Musicological Annual (JOURNAL) |
| Identificadores de la revista | ISSN: 0580-373X • E-ISSN: 2350-4242 |
| Editorial | University of Ljubljana (PUBLISHER • SI) |
| DOI | 10.4312/mz.50.2.53-62 |
| OpenAlex | W2280223700 |
| Idioma | DE |
| Citas recibidas | 1 |
“Music cannot exist without sound, sound can exist without music, therefore sound is more important than music“, Giacinto Scelsi’s cipher for the cosmos of sound of the single-note, opens a creative space beyond expansion of power and control by improvising and therefore sound itself becomes the mystery
Acoustics · Art · Art history · Humanities · Improvisation · Literature · Physics · Visual arts · Art, Aesthetics, and Perception · Cybernetics and Technology in Society · Literature and Cultural Memory
| Obras citantes distintas | 1 |
|---|---|
| Citas por año | 0,09 |
| Intervalo de citas | 2015 - 2015 (1) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 1 |