Genre in Janáček’s operas
Datos Bibliográficos
| ID | 14780993 |
|---|---|
| Autores | John Tyrrell (Cardiff University, autor de correspondencia) |
| Año | 2006 |
| Volumen | 42 |
| Número | 1 |
| Páginas | 139-146 |
| Fecha de publicación | 2006-12-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Musicological Annual (JOURNAL) |
| Identificadores de la revista | ISSN: 0580-373X • E-ISSN: 2350-4242 |
| Editorial | University of Ljubljana (PUBLISHER • SI) |
| DOI | 10.4312/mz.42.1.139-146 |
| OpenAlex | W2209753320 |
| Idioma | AF |
The author takes issue with Michael Ewans’s description of Janáček’s operas as »tragic«. Among the mature operas, Jenůfa, The Cunning Little Vixen, The Makropulos Affair and From the House of the Dead lack tragic inevitability and exhibit other genre characteristics, such as those of tragicomedy (in The Vixen and Makropulos)
Art · Art history · Comedy · Literature · Performance art · Tragicomedy · Education, Psychology, and Social Research · Philosophy
| Velocidad de citación | historical |
|---|---|
| Altamente citado | No |